Following Back-to-Back Standout Sets as the First Filipina Group To Ever Perform at Coachella Ranking Among the Most-Watched Performances Worldwide
BINI ushers in a bold new era at the forefront of global pop’s evolution, kicking off their ‘Signals’ World Tour across Asia, Europe, and North America
April 24, 2026 - Los Angeles, CA – The Philippines’ history-making girl group BINI continues their unstoppable rise on the global stage, announcing their highly anticipated ‘Signals’ World Tour, set to hit Asia, Europe, and North America. This tour announcement closely follows the group’s latest highly anticipated release, the “Signals” EP, which marks a defining evolution for BINI, introducing a more confident, global-facing sound that reflects their growing presence on the international stage. Led by the breakout single “Blush,” the project is rooted in sensory experience, exploring the fleeting moments before emotions are fully expressed, capturing feelings as they are first recognized and felt. Following their third studio album, “FLAMES” and the vibrant energy of “BINIverse,” their new body of work expands the group’s sonic and visual identity, blending polished pop production, layered vocals, and a seamless interplay of English and Tagalog.
The announcement follows a defining cultural moment at the Coachella Valley Music & Arts Festival, where BINI made history as the first act from the Philippines to perform at the festival and emerged as one of its breakout acts. BINI’s Coachella debut didn’t just mark a milestone, it became one of the festival’s defining breakout moments. Their performance sparked massive global engagement, including more than 1 million mentions within hours of taking the stage and a No. 1 worldwide trend on X. Performance clips amassed tens of millions of views across platforms in just days, including the most-viewed Coachella 2026 performance by a female act on Instagram, while global search interest peaked on Google Trends, with a perfect 100 score, signaling a major breakthrough on the world stage.
“This means a lot to the girls,” Laurenti “Lauren” Dyogi, the head of Star Magic and Entertainment Group, BINI’s talent management agency states following BINI’s performance. He adds, “It actually means a lot to the entire nation.” –The Hollywood Reporter
With a global fanbase known as “Blooms” and a rapidly expanding digital footprint, BINI continues to build a powerful connection with audiences worldwide. As part of a broader global shift in pop culture, where diverse voices and cross-cultural sounds are increasingly shaping the mainstream, “Signals” positions BINI at the forefront of a new wave of international pop, further solidifying their role as boundary-breaking artists on the world stage.
The Signals World Tour follows the success of the group’s first-ever world tour, the “BINIverse Tour,” which launched with a historic, sold-out concert at the Philippine Arena in Bulacan, making BINI the first Filipino act to achieve a solo sell-out at the world’s largest indoor venue with 50,000 seats.
With over 100 million followers across social platforms, BINI has rapidly become one of the most influential and globally recognized acts to emerge from the Philippines. Their debut Coachella appearance marks a major milestone in the group’s continued international ascent, joining a lineup that includes global superstars Sabrina Carpenter, Justin Bieber, and Karol G. As BINI continues to break barriers and redefine what global pop looks like, their second world tour and most recent EP signal the beginning of an exciting new era for the group and their ever-growing international fanbase.
The announcement follows a breakthrough period for BINI, driven by standout tracks including “Cherry On Top” and “Blink Twice” from BINIverse, as well as “Shagidi,” “Bikini,” and “Sweet Tooth” from FLAMES, which have contributed to their rapidly growing global momentum, helping propel them past two billion combined global audio and video streams across all platforms. Their recent releases, including the BINIverse EP (February 2025), marked a defining step in their evolution as a leading force in the rising Asian pop movement, building on recognition from outlets such as Forbes Asia 30 Under 30 2025, Spotify’s Breakout Artists of 2024 (as the only Filipino act featured), and GRAMMY.com’s “14 Pinoy Pop Acts You Should Know.” The group has also continued to gain international traction through collaborations such as “Blink Twice (Dos Veces Remix)” with Spanish-Mexican artist BELINDA, alongside award recognition including nominations at Brazil’s 2025 BreakTudo Awards and a win for “Female Group of the Year” at the 2025 Jupiter Music Awards
Alongside these significant milestones, BINI became the first Filipino pop group to perform at KCON Los Angeles, the world’s largest Korean culture and music festival, captivating global audiences. They have also earned major accolades including MTV EMA’s Best Asia Act and continue to live up to their title as the Philippines’ ‘Nation’s Girl Group.’ As they enter their new era of music, the group stands at the forefront of Filipino pop music’s international breakthrough, bringing Filipino music to bigger stages and broader audiences worldwide.
Pre-Sale Information:
May 11 - BLOOM MEMBERSHIP Presale
May 12 - Local Pre-sales
May 13 - Spotify Pre-sale
May 15 - General On-sale
2026 World Tour Dates:
Asia Leg 1
June 20 -- Manila, PH at MOA Arena
June 21 -- Manila, PH at MOA Arena
July 11 -- Cebu, PH at SM Seaside Cebu Arena
U.S. & Canada
August 1 -- Honolulu, HI at Neal S. Blaisdell Center – Arena
August 5 -- Los Angeles, CA at Peacock Theater
August 7 -- Rohnert Park, CA at The Event at Graton Resort & Casino
August 8 -- Las Vegas, NV at PH Live at Planet Hollywood
August 9 -- San Diego, CA at San Diego Civic Theatre
August 18 -- Vancouver, BC, CAN at Queen Elizabeth Theatre
August 21 -- Calgary, AB, CAN at Grey Eagle Resort & Casino - Grey Eagle Event Centre
August 22 -- Edmonton, AB, CAN at Edmonton EXPO Centre
August 24 -- Winnipeg, MB, CAN at Canada Life Centre
August 27 -- Toronto, ON, CAN at The Bowl at Sobeys Stadium
August 28 -- Brooklyn, NY at Kings Theatre
EU/UK
August 30 -- Amsterdam, NL at AFAS Live
September 1 -- Rome, IT at Cave of the Auditorium Parco della Musica
September 4 -- Paris, FR at Zenith
September 6 -- London, UK at OVO Arena Wembley
September 9 -- Zurich, CH at Komplex 457
September 11 -- Dusseldorf, DE at Mitsubishi Electric Hall
Asia Leg 2
October 25 -- Singapore, SG at Arena @ EXPO
November 15 -- Taipei City at New Taipei City Exhibition Hall
Please visit BINIWT2026.ABS-CBN.COM for more details and up-to-date information.
About BINI
BINI is an eight-member Filipino girl group (Aiah, Colet, Maloi, Gwen, Stacey, Mikha, Jhoanna, and Sheena) redefining global pop with their radiant sound and powerhouse performances. Crowned the Philippines’ “Nation’s Girl Group,” they have achieved a string of historic milestones, from becoming the first Filipino act to sell out the 50,000-seat Philippine Arena with their BINIverse World Tour, to making history as the first Filipino group confirmed on the lineup of Coachella 2026 alongside international stars Sabrina Carpenter, Justin Bieber, and Karol G. With over 2 billion audio/video streams, BINI has delivered viral hits like Shagidi, which trended #1 in the Philippines and sparked a dance craze across TikTok and YouTube, as well as fan favorites Blink Twice and Cherry On Top. Their collaboration with Spanish-Mexican star Belinda on Blink Twice (Dos Veces Remix) marked the first-ever partnership between a Mexican and Filipino pop act. Recognized as one of Spotify’s Breakout Artists of 2024 and featured in GRAMMY.com’s “14 Pinoy Pop Acts You Should Know,” the group has also earned major accolades including three nominations at Brazil’s 2025 BreakTudo Awards and winning “Female Group of the Year” at the 2025 Jupiter Music Awards, and were most recently honored with the Powerhouse Award at the 2026 Billboard Philippines Women in Music event. From stages across Dubai, London, the U.S., and Canada, to appearances at KCON Los Angeles, BINI continues to captivate audiences worldwide. With honors including MTV EMA’s Best Asia Act and growing recognition in Billboard and GRAMMY features, they are at the forefront of the global rise of Filipino pop, bringing their music to bigger stages and broader audiences than ever before.
CONNECT WITH BINI: OFFICIAL WEBSITE | FACEBOOK | X | INSTAGRAM | TIKTOK | YOUTUBE
MEDIA CONTACT FOR ALL BINI NORTH AMERICA PRESS INQUIRIES:
Miller PR | bini@miller-pr.com
by Julienne Frago
BGYO’s youngest member, Nate, sat down with VJs Ella, Jarren, and Robbie for a deep-dive interview to discuss his growth from being a child prodigy from Chicago to becoming a key member who’s known for his clean and powerful dance skills.
Nate’s journey to being a performer began at the age of six, inspired by watching America’s Best Dance Crew and listening to hip-hop tracks his father played in the car. Groups like Extreme Dance Force and The Future Kings made him discover his own “energy and flavor", and taught him how to incorporate it in his craft. Nate also shared his participation in Justin Bieber's Purpose Tour in Chicago as a child, recalling how surprising it was to be contacted for the project and be able to watch the artist play drums during a technical rehearsal.
Usually focused on the performance side, Nate recently started exploring his creative side as a choreographer, revealing that his contribution to the choreography for their new single “FRESH” happened almost by accident as it was an on-the-spot inspiration. Nate was asked during the rehearsal if he had ideas for the chorus, spontaneously coming up with a smooth and swaggy groove that perfectly suited the vibe of the song.
As BGYO hits their five-year milestone, Nate is aiming for a more hands-on future where he can be more involved in music production, and potentially return to gaming and live streaming. When asked about his dream international stage, he didn't hesitate to answer “The Rose Bowl Stadium". For future aspirations, he hopes to perform back in his hometown Chicago with his group members, and to one day be able to collaborate or have a dance-off with Justin Timberlake.
Watch the full episode:
by Julienne Frago
As BGYO celebrated their fifth anniversary, BGYO Mikki revealed that the past years have been a "solid” period of learning and developing as an individual, and honing their crafts as a group. To commemorate this milestone, the group released the single “FRESH" which was co-composed and written by Mikki.
During the first episode of MYX NOW Season 2, Mikki provided a peek into how the track came to life. He stated that he began with the chorus before working on the verse four days before the listening or deadline. The reason for the short preparation time was because sometimes he had a lot of things to do to the point of procrastinating and doing other things first. He also added that he works better when there's little time left before the deadline.
Moreover, in writing and composing, he focused on how to further highlight each group member’s vocal strength and impact.
Other than the "FRESH” sound, Mikki stated that the impact should also be fresh, referring to the new and unique way to promote their song and came up with the idea of wearing the white shirts with "FRESH” printed on them by seeing Marty Supreme going around wearing a jacket with his name on it. He also shared that his fashion icons are ASAP Rocky, Kanye, Tyler the Creator, Don Toliver, and Playboi Carti, influencing him to his own distinct fashion sense.
With Mikki’s goal of having a balanced discography that blends international appeal with Filipino-centric upbeat tracks, this is more than just the charts—it’s about staying authentic and real to his quiet yet creative soul while pushing the boundaries of what P-Pop can be.
When asked what headline he wants to see for BGYO by the end of the year, Mikki answered " BGYO: Still FRESH."
All of this and more on MYX NOW Season 2:
VXON appears to have fully stepped into their own lane. They sound less like a group searching for identity and more like one that has finally locked into its natural rhythm, and they’re thriving in it.
The “Monsters of P-pop” have officially released their second studio album, “Pasakalye.” From the opening moments, it’s clear that VXON is settling into a sound that feels natural, confident, and unmistakably theirs.
True to its title, the album’s carrier track “Pelikula” plays like a cinematic slice of everyday life. It captures the grit and groove of kalye-inspired music, those familiar rhythms and melodies that instantly feel lived-in. The track is effortlessly catchy, built for cruising playlists and late-night drives which taps into a shared nostalgia that listeners either secretly enjoy or proudly blast on full volume.
Following “Pelikula,” Pasakalye continues to flex its range with tracks like “sikretong malupet,” “taguan (tayo lang),” “lamoba,” and “walang iba.” These songs highlight VXON’s strongest asset to balance sharp, fiery rap deliveries with smoother, head-bopping production. The verses hit hard without overwhelming the listener, while the hooks are restrained enough to let the grooves breathe.
The flows are sharp, the hooks linger, and the overall sound is undeniably addictive with each track adding another layer to the album’s streetwise charm. One of the album’s biggest wins is its cohesion. Despite the mix of moods and tempos, “Pasakalye” never feels scattered.
Moreover, what makes “Pasakalye” particularly satisfying is how it brings together the group’s past and present. The album includes pre-release singles and fan favorites such as “Tabi Tabi,” “Sh*t Sobrang Init,” and “Dapat Lang Ako Lang,” which are tracks that helped define VXON’s growing influence in the P-pop scene.
“Pasakalye” thrives on texture rather than excess. While the album doesn’t necessarily reinvent the genre, it refines VXON’s place within it. The album captures the chaos, confidence, and charisma that VXON has been building toward since their debut, now refined into a cohesive body of work. As the "Pelikula" lyrics suggest, "ang kwento natin ay nagsisimula pa lang."
As momentum continues to build, VXON is gearing up for a major milestone. The group is set to hold their first-ever solo concert, “Kalawakan,” on February 28 at the SM North EDSA Skydome.
Surely, there’s something about the post-pandemic Filipino music scene that shifted. What used to feel niche is now front and center. P-pop has found its footing, its audience, and its confidence. From BINI preparing to make waves on the global stage with their much-anticipated performance at Coachella this year to SB19 continuing to represent Filipino artistry at massive international events like ACON 2025, fandom culture has only grown louder, prouder, and more united.
And as the genre continues to expand, new groups are stepping forward—ready to be discovered, streamed on repeat, and hyperfixated on. One of them? WRIVE.
After coming up just short on their 2023 survival show, members Asi, Ishiro, Russu, Drei, and Mathew are finally stepping into their long-awaited era. The group is gearing up for the release of their first full album on Jan. 16, following their earlier debut tracks “Ooh La La” and “Señorita.”
If you’re wondering why WRIVE feels like a group worth keeping an eye on, here are a few reasons why they might just become your next obsession.
They’re creatives, not just performers
WRIVE is deeply involved in the creative process. Members Russu and Ishiro notably contributed to bringing BINI’s “Infinity,” from the group’s newest album FLAMES, to life, and they were also hands-on in crafting WRIVE’s debut tracks. For their first album, the members continue to take part in shaping their sound through new songs such as “PanoKung,” “Panaginip Na Lang,” and “Hakbang.”
This level of behind-the-scenes involvement gives WRIVE an edge, as they understand music not just as idols, but as artists.
Their chemistry is effortlessly chaotic
If you’ve seen their MYX Now interview, you already know. WRIVE’s brand of chaos is the fun, endearing kind, the type that comes from knowing each other too well. They bounce off one another naturally, finish each other’s jokes, and aren’t afraid to clown each other on camera. It’s the kind of chemistry that feels less like coworkers and more like a tight-knit friend group, which only makes fans feel closer to them.
They transform on stage
Live vocals? Check. Clean, high-energy choreography? Check. That undeniable “angas” that commands a stage? So check. WRIVE brings a performance style that feels confident but not forced, polished but still raw. They know how to hold attention and keep it.
They’re finally entering their long-awaited era
There’s something special about a group that waited, persisted, and came back stronger. WRIVE’s upcoming album is a payoff. Years of training, near-misses, and quiet preparation have led them here, and that journey makes this chapter feel more meaningful.
With P-pop continuing to thrive and fans more open than ever to discovering new groups, WRIVE arrives at the perfect moment. If you’re looking for a group with talent, personality, and a story worth rooting for, don’t be surprised if WRIVE becomes the one you can’t stop thinking about.
In celebration of their 7th year anniversary, SB19 joins forces with internationally renowned Filipino fashion designer Francis Libiran for FAST ZONE — a boundary-pushing collision of music and fashion happening on October 26, 2025 at the Araneta Coliseum, co-presented by Metrobank and GCash.
FAST ZONE
— SB19 Official (@SB19Official) September 18, 2025
10. 26. 2025. | 7PM
Araneta Coliseum
The General Ticket Sale for Fast Zone is now open. Secure your tickets via TicketNet Outlets Nationwide or through https://t.co/pJwQvF5eli#SB19 #FrancisLibiran #FastZone pic.twitter.com/OPUCJxBdMl
Music breaks free from the stage, and fashion escapes the runway in the FAST ZONE. With SB19’s redefined live performances and Francis Libiran’s brand new collection reflecting pop culture, this one-night only concert & fashion show crossover promises a high-octane, immersive experience that blurs the lines between sound and style in a collaboration unlike anything seen before.
More than a milestone, FAST ZONE is a celebration and a bold evolution to champion Filipino talent onto the global stage without boundaries — written in music and woven in style. Welcome to the FAST ZONE.
Pre-sale starts on September 15. General sale starts on September 18.
Tickets will be available via Ticketnet online.
Zéla is an ACE. She is a Filipino-American singer, songwriter, rapper, dancer and a model that started in the USA.
She’s been writing songs since she was younger, her genre is a mix of different musical styles because she likes challenging herself. Pursuing her music career as the first P-pop Soloist of AQ Prime Music. Zéla loves to share her crafts to inspire more people through her music.
In September 2023, she debuted with the single “Karma”. She was awarded as the Philippine Pop Top New Artist Of The Year, few months after she debuted. Been performing everywhere since then.
A year after, she released her 2nd single “Pogi Boy”. Followed by a comeback song “01/01” on her birthday as a gift for her fans.
She was given the opportunity of being the only PPop Soloist act to perform at the 1st Waterbomb Festival in Manila on 2025 of February.
After a month of hiatus, Zéla returns with her 1st Studio Album called “Lockhart.” The album contains 10 tracks and mostly written by her. She’s about to unleash her superpowers across the globe and make the world her stage.A Filipino-American singer, songwriter, rapper and dancer that started in the USA. Continuing her music career as Ppop Soloist. She will hit you with her strong uplifting debut single “Karma”, let’s all meet Zéla!
“ACE”
It was night time in February of 2025, I was having a conversation with a friend at a cafe. He called me an ACE because he said I can do almost everything. So it started there, I tried to remember all the compliments that I got from other people and put them altogether in a song. I wanted to Activate Confidence to Empower other people through my song because everyone is an ACE in their own way.
“ARANGKADA”
This song was the first one I’ve heard from EC. At first I was like “hmm Tagalog, what is this song about? Haha” I really like the beats, it’s kinda different from the music that I grew up with but it’s very refreshing. EC was nice enough to let me change some lyrics as well because I couldn’t pronounce some of the words properly.
“01/01”
I wrote this after pandemic, I was getting a lot of negativity during those times to the point that I wanted to prove myself to everybody. Then I came up with this song and decided to release it on my birthday that’s why it’s called 01/01 because my birthday is January 1 and also number 1 is the monthsary of Zélors (my fandom name). It was a gift for them.
“Z.L”
Z.L means Zone Leader but it could also mean ZéLa and Zélor. Because I was doing TikTok live last March (2025) when I wrote the 1st verse on the spot with Zélors. I asked them if they could give me any words that I can write a song into and someone said Z.L and Zone Leader. And then boom I tried to finish the song the next day. It’s a leader’s pov and a women empowerment song, that’s why there’s some lyrics there saying “HER is leader” because I’m a woman myself.
“G.O.A.T”
I was furious when I wrote this song. I felt like everyone was trying to pull me down to the point that it was affecting my career. I tried to write everything down for me to cool down. I’ve also wanted to be a rockstar as a kid that’s why I made this one a rock version. And rock genre went so well with what I was feeling that time. I was “unleashing my wrath”.
“PARAISO”
Hesitant, that’s how I felt after EC explained to me the meaning of the lyrics. The lyrics are about someone’s pov saying that she’s a paradise and then I thought “wait, isn’t this kinda sound arrogant if I sing it? People might think I’m so full of myself” but as the time goes by it starts to grow on me . I also love how the beats are just simple and magical at the same time. It makes you feel like in a paradise.
“CHAOS”
Writing this song was chaos. I was just in a mood to write a unique topic. It was my first time to write a not so love song lyrics with the help of Jo. He wrote some of the lyrics and he’s the featured artist in this song. The song is about a playboy who happens to fall in love with a female alpha.
“BABABA”
This song is also in full Filipino and EC explained the meaning of it. I had a hard time singing this song because there’s a lot of “bababa” words that it got me so confused. But it’s very catchy and a good song to listen to while driving or traveling.
“HANAP KA NALANG NG IBA”
EC wrote this song, and I thought it was gonna be the easiest song from him. But I was wrong, I couldn’t get the timing right on the post hook part, it took me a few hours to hit the right timing. But I really had fun recording it. I love the beats and vibe that it’s giving me
“LEAVE ME”
This song is very personal to me, I was having a mental breakdown while I was writing it. All the bad things that people have told and called me got into my head that I started to believe them. I knew myself better than anyone else but that time was too much. I thought maybe I was becoming someone I’m not because that’s what everyone is calling me or wants me to become. It took me hours to record this song because I couldn’t stop crying but thankfully I got to finish it with the help of Coach Karl.
Viral Pinoy Pop group GAT (Gawang Atin ‘To), comprised of members GAT Ethan, GAT Derick, GAT Michael, GAT Hans, and GAT Charles are chasing after a starlight in the darkest of nights in their highly-anticipated debut single, “Kakaiba,” released on August 1, 2025.
The debut track taps into an extraordinary kind of attraction towards someone, capturing the ecstasy of an undeniably intense infatuation. Entrancing as it sounds, listeners can deeply feel how spellbound the boys are in the lyrics, written by the GAT members themselves.
In their first original track, all members of the P-pop group had the opportunity to contribute to their music as they navigate their signature sound. Truly a masterpiece despite “Kakaiba” being their first-ever single, GAT has already proven their edge during their pre-debut era.
GAT first went viral for their phenomenal rendition of “Daleng Dale,” originally popularized by MMJ, which sent global audiences to join the dance craze. The pre-debut track also served as the opening song and an official soundtrack of the Viva One web series, Ang Mutya ng Section E.
Additionally, four members of the group, namely Ethan David, Derick Ong, Michael Keith, and Charles Law are among the recurring cast members of the internationally recognized show. With this, GAT is set to participate in the upcoming VIVA ONE VIVARKADA: The Ultimate Fancon and Grand Concert, happening on August 15, 2025, at the Smart Araneta Coliseum.
Meanwhile, The Kennel, an international music publishing, production and management company based in Sweden which has written and produced music for number-one hits and artists all over the world, is among the people who produced “Kakaiba,” along with members of GAT and singer-songwriter and composer, Kylu Garcia (known for the tracks “OTW” and “Dito Ka Lang”). The song is a product of the songwriting camp spearheaded by The Kennel.
Following its digital release on all major streaming platforms, the official music video of GAT’s debut single “Kakaiba” is now available on their YouTube channel.
P-pop group ALAMAT is bringing a musical twist to household routines as the first-ever brand ambassadors of Cheers, a Filipino kitchen hygiene brand under Sanitary Care Products Asia, Inc. (SCPA).
The group headlines Cheers to Happymess, a new campaign that redefines kitchen mess as something worth celebrating — a proof of moments shared, meals cooked with care, and memories made at home. From flour-dusted counters to sticky plates after a family gathering, Cheers wants Filipinos to see these not as chores to dread but as reminders of connection and everyday life.
At the center of the campaign is the Happymess Anthem, an upbeat track performed by ALAMAT. Known for their catchy hooks and genre-blending style, the group brings a lively, danceable energy to the song, turning routine clean-ups into lighter, feel-good moments. More than background music, the anthem highlights how small, messy moments can bring people together. The official music video premieres on July 4 across Cheers’ Facebook, Instagram, TikTok, and YouTube pages.
"For most people, cleaning feels like a boring routine, and mess is often seen as a problem or even as proof that something’s wrong," said Alvin Mendaros, Brand Manager of Cheers. “However, studies show that listening to music while doing chores can lift the mood, boost energy, and make tasks easier to handle. This inspired us to collaborate with ALAMAT on a jingle that adds energy and fun to daily cleanups."
Known for blending modern pop with strong cultural identity, the six-member group is recognized for multilingual lyrics and performances rooted in Filipino pride. Cheers shares the same local spirit and has remained a staple in many Filipino households for its range of paper napkins, tissue, storage bags, disinfecting wipes, dishwashing liquids, plates, and other kitchen essentials.
Mendaros said ALAMAT’s strong connection with young Filipinos, from students and young professionals to growing families, makes the collaboration a natural fit to blend music, culture, and the everyday moments that happen in the kitchen, which many see as the heart of the home.
The new campaign, he explained, puts that idea at the center. "The ‘Cheers to Happymess’ campaign celebrates the joyful chaos of everyday life— the spilled sauces, the crumbs, the dirty dishes after a good meal," Mendaros said. "Behind every mess is a memory, and behind every memory is a story worth keeping. Cheers has always been more than a kitchen hygiene partner, as we are committed to being part of the real moments that truly matter. This is just the beginning of planned activities to remind people that a little mess is proof of life being lived together.”
Cheers to Happymess encourages families and young people alike to see the spills, crumbs, and clean-ups that come with cooking and sharing meals as moments that bring people closer at home.
For updates and to watch the campaign video, visit https://www.facebook.com/CheersPh.
Summer is over, but things are only about to get hotter.
Ready yourselves because BGYO is here to steal hearts with their upcoming single, “All These Ladies,” set to release this June 19, 9 PM PHT.
Over the past few days, the five member P-Pop group has also teased the mysterious yet alluring concept of their music video through sketches of three ladies named Casey, Tracey, and Daisy—just who could they be?
If the dance challenge is anything to go by, “All These Ladies” will be a high-energy song, accompanied by contrasting choreography that showcases a more suave side of BGYO.
Keep your tabs open and prepare to catch all these feels by pre-saving through orcd.co/bgyo_alltheseladies.
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Written by Ana Rufa Padua, a fourth-year Communication student from the Ateneo de Manila University. With a passion for storytelling, she hopes to shed light on the various realities, lives, and phenomena surrounding the communities she covers. In her free time, she indulges herself in watching movies and listening to K-Pop.
If you tune in to Pinoy Big Brother Celebrity Collab Edition, you’ve probably come across at least one WillCa (Will Ashley and Bianca De Vera) edit—whether you support them or not—with the most heart-wrenching OPM song as its background music.
Those eyes, which fans or even casual viewers mostly assume, paired with a carefully chosen song, unveil a silent longing that tugs at a string like a fragile thread hanging in the air, teasing with the possibility of what could be if fate were just a little kinder.
@biancadrjfts their song 🥹😔 #fy #fyp #pbb #pbbcollab #biancadevera #willashley #abscbn #gma #pinoybigbrother #pbbcelebrityedition #unbreakmyheart #willca #ashbi ♬ Multo - Cup of Joe
There’s a distinct charm about the way Filipinos portray longing and yearning in songs that just captures listeners’ attention and transcends even to global audiences. If you’ve heard Multo by Cup of Joe, you would know exactly what I mean. To quote the song: Hindi na makalaya, dinadalaw [ako] bawat gabi (I can’t escape, it haunts me every night).
When you search up the dictionary definition of the word yearning, Merriam-Webster defines it as “a tender or urgent longing.” Yet, even this description sounds tame compared to the emotions that are evoked by OPM songs. There are so many layers to the concept of yearning when you place it in the context of Philippine culture.
Historically speaking, Filipinos have always been known as romantics. Before the Spaniards colonized the Philippines in 1565, Batangueños (then known as Comintanes) gave birth to the traditional dance-song of love and courtship called kumintang. After the Spanish colonization, the kumintang evolved into what Filipinos commonly known as the harana and the kundiman.
@lee3dits_ oh, mr. antipatiko 😉 #willca #willbi #willashley #biancadevera #pbbwill #pbbbianca #pbb #pbbconnect #pbbcelebrityedition #fyp ♬ Mr. Antipatiko - Nadine Lustre
Now, if you compare these traditional approaches to modern OPM, you would notice that the latter still reflects the same touch of sentimentality and deeply-felt emotions that our ancestors had when they were courting or serenading their significant others. Although the terms harana and kundiman are rarely used nowadays (unless you’re in a family that believes in traditional courtship), OPM love songs still inherently have within them that intense feeling of longing.
Oftentimes, yearning is portrayed as one-sided love or the “right person, wrong time” trope (Think Sana by I Belong To The Zoo and The One That Got Away by Katy Perry). While the deeper meanings behind OPM songs are easily understood by Filipinos, it is undeniable that modern OPM’s unique charm has found its way to the global market, with foreigners sharing their own reactions to songs that captured their souls.
Some renowned Korean personalities such as 10cm and Cha Eun Woo have even made their own renditions or music covers of OPM music. If I were to put myself in a foreign listener’s shoes, I’d describe listening to OPM in the same way as how I would react to watching a K-Drama without subtitles. I would not understand a single word the characters are uttering, but I would still cry and laugh along with them if their emotions reach me as they intended.
Maybe that’s why those WillCa edits hit so hard. Maybe that’s why we keep replaying them, even when we know the ending might hurt. Because OPM doesn’t just accompany these moments, it defines them. It’s the perfect soundtrack to almosts and to the kind of connection that leaves us asking, “What if?”
Nonetheless, I believe that there are more layers behind OPM’s portrayal of yearning that listeners frequently overlook. Nowadays, Filipino music does not only focus on the heartbreak and painful aspect of love, but also a more positive view of the concept. OPM has opened doors for yearning that speaks of patience, of a desire to be someone’s safe space, of a love that’s willing to endure no matter how many hurricanes may come its way.
@heyykookie WHAT IF? 🤭 #mikbrent #mikasalamanca #brentymanalo #pbbmika #pbbbrent #fyp ♬ original sound - ✧ kookie ✧
OPM also has a knack for conveying its message and emotions, even with the instrumentals alone. If you try to take a peek into the songwriters’ and the producers’ minds, it would dawn on you that every beat, every measure, and every instrument has its own intention. Accompany these with lyrics and you have a song that’s bound to awaken your inner hopeless romantic (if you aren’t already).
So you see, OPM doesn’t just make you teary-eyed, it makes you weep. It doesn’t just make you smile, it makes you kilig. It’s not just about love, it’s about the deeper emotions behind them. It captures that silent, aching hope for something more, something less, or something yet to find closure—much like the gaze in WillCa’s eyes at the start of the season, or even as they begin to drift apart toward the end.
And that’s exactly why OPM executes the concept of yearning best.
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Written by Ana Rufa Padua, a fourth-year Communication student from the Ateneo de Manila University. With a passion for storytelling, she hopes to shed light on the various realities, lives, and phenomena surrounding the communities she covers. In her free time, she indulges herself in watching movies and listening to K-Pop.
Cover art by Christian Gonzalo
Hot off the heels of their latest comeback track, "Alam Mo Ba," P-pop boy group 1st.One is set to wave the Philippine flag high on the international stage once again, as they’ve just been announced as one of the official performers for the ASEAN-Korea Music Festival 2025—also known as ROUND—which will be held at Zepp Kuala Lumpur, Malaysia.
Organized with the mission of fostering cultural exchange and musical collaboration between Southeast Asian nations and South Korea, the ASEAN-KOREA ROUND FESTIVAL stands as one of the region’s most prestigious platforms for rising and established music acts.
This year, the spotlight turns to 1st.One, who will proudly represent the Philippines on the international stage. Known for their explosive performances, intricate choreography, and passion for excellence, 1st.One continues to carve out a name for themselves in the ever-evolving P-pop scene—and now, among a global audience.
Fans can look forward to seeing the group share the stage with other top artists from across the ASEAN region and Korea, highlighting a shared love for music and a future of deeper regional connections through performance.
