BGYO just stepped back into the spotlight — and they didn’t come to play. They came to remind everyone exactly who they are.
The Filipino boy group has officially released their newest single, “FRESH,” and it’s everything you’d expect from a group entering their most confident era yet: smooth, bold, and unapologetically self-assured. Available now on all streaming platforms via ABS-CBN Music, the track marks BGYO’s first Tagalog release since 2024’s “Andito Lang,” signaling a sonic and creative reset that feels sharper, cooler, and undeniably them.
At its core, “FRESH” is an anthem for owning who you are — no filters, no apologies. With standout lines like “I got what you want” and “Ain’t nobody fresher than me,” the track leans into confidence as its superpower. Built on a groove-driven hip-hop foundation, the song highlights BGYO’s effortless swagger while expanding their sound into smoother, more refined territory.
Even more personal, the track was written by member Mikki Claver, making it a reflection of the group’s growth not just as performers, but as artists finding their voice. It’s BGYO at their most authentic — and it shows.
This release follows a major year of milestones for the group. From headlining their first solo concert to earning a spot on Spotify Philippines’ “Best of P-Pop On The Rise,” and receiving TikTok’s Community Impact Award, BGYO has continued to level up both at home and globally. They’re also set to hit the stage at DUNK! Music Festival in Japan, further expanding their international footprint.
And the momentum isn’t slowing down anytime soon.
With over 100 million combined audio and video streams, multiple #1 iTunes debuts across Asia and the Middle East, and recognition from global platforms like the Recording Academy, Teen Vogue, MTV Asia, and Netflix, BGYO continues to cement their place as one of the leading forces shaping the global P-Pop movement. Add to that their 5 million-strong social following and over 60 million TikTok likes, and it’s clear: BGYO isn’t just riding the wave — they’re helping define it.
More than just a comeback, “FRESH” feels like a statement. It’s BGYO stepping into their power, owning their evolution, and inviting fans along for the ride.
Because at the end of the day, nothing hits harder than confidence. And right now, nobody’s doing it fresher than BGYO.
Listen to “FRESH” now on all streaming platforms.
On Lunar New Year, Filipino American singer-songwriter Yeek chose to begin the season not in silence, but in sound.
The artist welcomed 2026 with the release of “Stayin’ Low,” which is a track that feels an easy listen on the surface, yet layered with the kind of detail that rewards repeat plays.
The timing of the track also came with a message from the artist that reveals his mindset entering 2026. Reflecting on the current landscape of music and online culture, Yeek wrote, “In a new time where fast content is the new standard & numbers seem to matter more than ever, make time for the art that's for you first. See you in 2026.”
While many releases at the start of the year aim to be loud and attention-grabbing, Yeek took a different route. That sentiment echoes throughout the single, which feels patient, intentional, and rooted in craft.
Musically, “Stayin’ Low” carries the familiar DNA that listeners have come to expect from Yeek. Known for producing, writing, and singing his own material, Yeek continues to shape a sound that feels unmistakably his. His music has often been described as melancholic, soulful, and DIY-driven, and those elements remain present here, but “Stayin’ Low” leans further into groove.
It carries a warm pulse and the overall production glows with a smooth, almost hypnotic texture.
There’s a warmth in the production that pulls you in almost immediately, while the rhythm keeps things moving just enough to make it impossible not to nod along. There’s something about its flow that makes it easy to loop. It’s the kind of song that naturally gets your head nodding, whether you’re paying close attention or letting it play in the background of a late-night drive or a quiet afternoon.
If Yeek’s message was about making time for art that feels personal and unhurried, “Stayin’ Low” is proof of concept. With “Stayin’ Low,” Yeek proves that consistency doesn’t have to mean predictability. It can mean refining a sound, trusting your instincts, and letting the music speak at its own pace. And in a time when everything seems to be speeding up, that approach feels not just refreshing, but necessary.
To Those Who Moved On Last,
Everything keeps moving, except for some of us.
Maybe you stayed behind in a relationship, a friendship, or a chapter of your life, while the rest of the world moved forward. Maybe you lingered in the memories, the conversations, the moments that left a mark, even when letting go seemed inevitable. They leave a residue, a quiet echo, the way Belly’s heart lingered with Conrad in The Summer I Turned Pretty, caught between love and longing.
Some feelings refuse to fade, leaving traces long after others have moved on, and that’s okay. You are not broken for holding on.
Angela Ken and Over October’s “Moved On Last” speaks to this exact experience. It captures the quiet ache of being left behind, the moments when it feels like everyone else is on the train of life and you’re still standing on the platform. It’s a song for those of us who chose to linger, not because we couldn’t move, but because our hearts weren’t ready.
Angela Ken’s tender, introspective vocals convey vulnerability with honesty, while Over October’s atmospheric production mirrors the vastness of the emotions we carry: the loneliness, the longing, and the small sparks of hope that remind us we’re still human and still feeling. The track evokes the residue of love and loss, the memories that linger, the “what-ifs” that echo, and the pieces of ourselves that remain entwined with the past.
“Moved On Last” doesn’t rush healing. It acknowledges that moving on isn’t a race, and that emotional residue is not something to be dismissed or hurried.
You stayed. You felt. You lingered. And sometimes, that alone is enough.
This song is for you.
HIRAYA Music Fest is set to transform Clark Global City, Pampanga into a playground of sound, motion and spectacle on January 17 and 18, promising a two-day experience that pushes the boundaries of what a music festival can be.
More than a lineup-driven event, HIRAYA positions itself as a multi-sensory celebration.
Described as a festival “na hindi napapanuod but nararanasan,” HIRAYA blurs the lines between music, movement, and visual storytelling. From himpapawid to the ground, the festival brings together live performances, motorsport elements, and aerial displays, creating an immersive environment where drifting cars, paramotors, music, and visuals unfold simultaneously.
The concept underscores the festival’s ambition to integrate adrenaline-fueled action with artistic expression, highlighting Filipino excellence through innovation and scale.
At the heart of HIRAYA Music Fest is its bold integration of motorsport into a live music setting. Drifting demonstrations and paramotor flights will serve as dynamic backdrops to live performances, turning the venue into a constantly evolving visual canvas.
As the festival unfolds across two days in January, it invites audiences to step into a space where sound is seen, movement is felt, and every moment is designed to be lived.
For years, the idea of Wanna One reuniting lived mostly in nostalgia playlists, anniversary posts, and fan hopes quietly tucked between the lines of “Spring Breeze.”
It surfaced every debut anniversary, in late-night X threads revisiting old stages, and in comment sections filled with “what ifs.” Even as the members grew into new chapters of their careers, the possibility of an 11-member reunion remained a shared dream that lingered just out of reach.
Now, it’s no longer just wishful thinking. Members of the K-pop group from a survival show are expected to reunite for a new reality show, marking their first full-group project since disbanding.
Formed through Produce 101 Season 2, Wanna One debuted in 2017 and quickly became one of the most loved K-pop acts of its generation. According to multiple media reports, the reality program is slated to premiere in the first half of 2026. While details remain under wraps, Mnet has confirmed to MK Sports that the members have agreed to come together for the show.
The network also revealed that the teaser video includes the phrase “See You Again,” a lyric lifted directly from “Spring Breeze,” the group’s farewell track released ahead of their 2019 disbandment.
Speculation around the reunion quickly intensified after members Lee Daehwi, Bae Jinyoung, Yoon Jisung, Hwang Minhyun, Ha Sungwoon, and Park Woojin shared the teaser clip on their Instagram stories.
This moment hits differently because so much life has happened in between. Since their disbandment in 2019, the members have grown into artists on their own terms—some thriving as soloists, others finding their footing in acting or new groups like NU’EST and AB6IX. Fans grew alongside them, learning how to support 11 separate paths without letting go of the collective memory. That distance, that time, is what gives this reunion weight.
Even their last group appearance at the 2021 Mnet Asia Music Awards felt more like a fleeting reunion. For a group formed under intense competition and limited time, the chance to simply exist together again, without a countdown hanging over them, feels like a gift.
Is Wanna One really back? Maybe not in the traditional sense of a chart-driven comeback. But as a Wannable, this reunion feels different because it isn’t fueled by urgency or obligation. It's built on a promise kept.
One of the biggest solo female voices of the OPM Pinoy Rock scene, Kitchie Nadal, is ready to enter uncharted territory with her first solo concert titled “New Ground Manila” at the Smart Araneta Coliseum on June 21, Saturday 8:00 PM.
Seeking to grow her younger fanbase, this concert won’t be your typical "Kitchie show."
With her upcoming concert, Nadal decided that this is a chance to not only reconnect with her OG fans, but also a time to try and break New Ground.
“We’ve had such an amazing response at our concerts over the past few years, especially from the younger crowd. Their energy kind of inspired us to put together New Ground,” Nadal said.
Talking about her inspirations, Nadal mentioned that her kids and life in Spain—where she is currently based—drive her to continue writing songs. Currently, she is a mother based in Spain. “Living in Spain has exposed me to a lot more European and Spanish music, some of which expresses current social issues that are really relevant today. Those main things are what inspire and drive me to write songs,” Kitchie elaborated.
Originally the lead vocalist of Mojofly, Nadal became the biggest female OPM solo pop-rock artist, leading the resurgence of the ‘00’s with her self-titled solo album featuring her hit single, “Huwag na Huwag Mong Sasabihin”. The album also housed other massive hits such as “Bulong!!!”, “Same Ground” and “Breathe”. The album also debuted at number 4 on the Philippine Albums Chart, and by 2004, became a certified 7× Platinum in the country.
With New Ground as her first headline concert at the Big Domethe Smart Araneta Coliseum, Nadal hopes to set her musical direction in a new course. “You can expect fresh music, new collabs, and an even bigger experience than what we shared at the 20th Anniversary concert held last 2024,” Nadal said.
“It’s my first time headlining at the Smart Araneta Coliseum, so I’m really thrilled! I’m super thankful to everyone who made this happen, and of course to all the people who’ve inspired us to bring this show to life,” she added.
Nadal also expressed her enthusiasm for new collaborations, especially with artists she’s never worked with before. “We’re doing something really out of the box this time, mixing genres and creating moments that are totally unexpected, something fans definitely haven’t seen from me yet.” she added.
This event is presented by RG Productions, Black Star Entertainment, and Flow Asia. Tickets are available at all Ticketnet physical branches and online at ticketnet.com.ph
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Written by Ana Rufa Padua, a fourth-year Communication student from the Ateneo de Manila University. With a passion for storytelling, she hopes to shed light on the various realities, lives, and phenomena surrounding the communities she covers. In her free time, she indulges herself in watching movies and listening to K-Pop.
At the University of the Philippines (UP), music is never just about entertainment. And at UP Fair 2025, the rhythm of resistance roars louder than ever. More than a festival, it’s a week-long platform where art and advocacy collide which brings people together not just to revel in melodies but to rise in solidarity.
Set against the backdrop of the UP Sunken Garden, this year’s fair, true to its core, pulses with purpose, shedding light on the struggles of urban poor communities, women, peasants, and national minorities. With each night dedicated to a different cause, UP Fair 2025 echoes that while everything is political, resistance can still dance, sing, and take the stage.
Kalye Tunes: UP Fair Wednesday
Wednesday’s Kalye Tunes resonates with the struggles of the urban poor. Featuring a powerful lineup of local bands, rap artists, and spoken word performers, the night turns the spotlight on the plight of informal settlers, workers, and underprivileged communities.
Headliners include Gloc-9, O Side Mafia, Flow G, Abra, Loonie and more.
Through their lyrics and fiery anthems, performers articulate the realities of poverty, gentrification, and labor exploitation. On-ground activities include art installations depicting urban displacement and community-led dialogues on the fight for housing rights.
Quests 2024: UP Fair Thursday
Thursday’s Quests 2024 puts women and gender issues front and center. The night celebrates feminist resistance and gender equality, with a lineup of women-led acts and queer performers taking the stage. Through raw, empowering sets, the festival amplifies calls to end gender-based violence, fight discrimination, and promote LGBTQ+ rights with headliners Cup of Joe, Ben&Ben, Yeng Constantino, Morisette and more.
Elements 2025: UP Fair Friday
Friday’s Elements 2025 stands in solidarity with Filipino farmers and peasants, whose struggles are often overshadowed. Folk and grassroots musicians, along with socially conscious bands, take the stage, weaving narratives of landlessness, agrarian reform, and rural poverty into their performances.
The night becomes a moving tribute to the resilience and resistance of the rural sector with December Avenue, Sponge Cola, Gloc-9, Adie, Lola Amour, Zild and more.
REV Music Festival: UP Fair Saturday
Closing the festival with a powerful message, REV Music Festival on Saturday celebrates and uplifts national minorities, spotlighting the struggles of Indigenous Peoples and Moro communities. Honoring cultural heritage while voicing calls for self-determination, ancestral land protection, and resistance against displacement, the event features 6cyclemind, Kitchie Nadal, Imago, Maki, TJ Monterde and more.
As the night skies fill with music, the grounds of UP Sunken Garden become a testament that the fight for justice will always have a rhythm, and the people’s struggle will always have a song.
If there’s one band that knows how to deliver music packed with heart and emotion, it’s The Juans. From chart-topping tracks like the ever-relatable “Hindi Tayo Pwede” to the sing-along favorite “Tama Ka Na,” this Filipino band has been a steady source of soulful anthems for fans across the nation. Now, as they approach their 10th anniversary, The Juans are setting their sights on an even brighter future, with big plans for 2025.
“We’re working on a full album that we’re really excited for people to hear,” shares Carl Guevarra, the band’s lead vocalist and keyboardist, in a press release. “It’s got that familiar hugot that everyone loves pero this time, we’re also exploring new themes.” Fans can expect something familiar yet fresh, as the band steps out of their usual soundscape.
Acoustic guitarist RJ Cruz gives a glimpse into the creative process, hinting at a colorful evolution in their music. “Each member is stepping up to take a bigger role in shaping the band’s sound this time. We're not just sticking to what’s familiar—trying kami this time ng ibang genres and we’ll push our creative boundaries to bring something fresh sa fans,” RJ explains.
But new music isn’t the only thing on the horizon. The Juans have planned a tour spanning the Philippines and beyond. “We’re looking forward to connecting with Juanistas again,” Carl adds. “It’s going to be a year of growth for us and our fans.”
Lead guitarist Japs Mendoza believes their live shows play a key role in defining who they are. “Iba talaga ang energy ng crowd,” he shares. “We love testing new songs in our live shows and seeing how people react. If we’re excited, they’re excited. If we’re feeling something deep, they’re feeling it too.”
Beyond the music, The Juans remain grounded in their roots. As Carl often says, they began as “mga simpleng juan na nangangarap at patuloy nagsusumikap.” Their three-stripe logo may seem minimalist, but for the band, it holds a deeper meaning tied to their faith: “By His stripes, we are healed. Three days later, He rose from the dead.”
Bassist Chael Adriano shares how the band’s future tracks will mirror their personal journey. “We plan to release more tracks that explore our journey through relationships, healing, and finding our way.”
With a full-length album on the way, a year packed with performances, and music that continues to evolve, The Juans are ready to take the next big step. Ten years in, they’re showing no signs of slowing down.
This week's MYX News Hot List, new episodes weekly at www.myx.global/myxnews
This week's MYX News Hot List, new episodes weekly at www.myx.global/myxnews
This week's MYX News Hot List, new episodes weekly at www.myx.global/myxnews
This week's MYX News Hot List, new episodes weekly at www.myx.global/myxnews
