BGYO just stepped back into the spotlight — and they didn’t come to play. They came to remind everyone exactly who they are.
The Filipino boy group has officially released their newest single, “FRESH,” and it’s everything you’d expect from a group entering their most confident era yet: smooth, bold, and unapologetically self-assured. Available now on all streaming platforms via ABS-CBN Music, the track marks BGYO’s first Tagalog release since 2024’s “Andito Lang,” signaling a sonic and creative reset that feels sharper, cooler, and undeniably them.
At its core, “FRESH” is an anthem for owning who you are — no filters, no apologies. With standout lines like “I got what you want” and “Ain’t nobody fresher than me,” the track leans into confidence as its superpower. Built on a groove-driven hip-hop foundation, the song highlights BGYO’s effortless swagger while expanding their sound into smoother, more refined territory.
Even more personal, the track was written by member Mikki Claver, making it a reflection of the group’s growth not just as performers, but as artists finding their voice. It’s BGYO at their most authentic — and it shows.
This release follows a major year of milestones for the group. From headlining their first solo concert to earning a spot on Spotify Philippines’ “Best of P-Pop On The Rise,” and receiving TikTok’s Community Impact Award, BGYO has continued to level up both at home and globally. They’re also set to hit the stage at DUNK! Music Festival in Japan, further expanding their international footprint.
And the momentum isn’t slowing down anytime soon.
With over 100 million combined audio and video streams, multiple #1 iTunes debuts across Asia and the Middle East, and recognition from global platforms like the Recording Academy, Teen Vogue, MTV Asia, and Netflix, BGYO continues to cement their place as one of the leading forces shaping the global P-Pop movement. Add to that their 5 million-strong social following and over 60 million TikTok likes, and it’s clear: BGYO isn’t just riding the wave — they’re helping define it.
More than just a comeback, “FRESH” feels like a statement. It’s BGYO stepping into their power, owning their evolution, and inviting fans along for the ride.
Because at the end of the day, nothing hits harder than confidence. And right now, nobody’s doing it fresher than BGYO.
Listen to “FRESH” now on all streaming platforms.
On Lunar New Year, Filipino American singer-songwriter Yeek chose to begin the season not in silence, but in sound.
The artist welcomed 2026 with the release of “Stayin’ Low,” which is a track that feels an easy listen on the surface, yet layered with the kind of detail that rewards repeat plays.
The timing of the track also came with a message from the artist that reveals his mindset entering 2026. Reflecting on the current landscape of music and online culture, Yeek wrote, “In a new time where fast content is the new standard & numbers seem to matter more than ever, make time for the art that's for you first. See you in 2026.”
While many releases at the start of the year aim to be loud and attention-grabbing, Yeek took a different route. That sentiment echoes throughout the single, which feels patient, intentional, and rooted in craft.
Musically, “Stayin’ Low” carries the familiar DNA that listeners have come to expect from Yeek. Known for producing, writing, and singing his own material, Yeek continues to shape a sound that feels unmistakably his. His music has often been described as melancholic, soulful, and DIY-driven, and those elements remain present here, but “Stayin’ Low” leans further into groove.
It carries a warm pulse and the overall production glows with a smooth, almost hypnotic texture.
There’s a warmth in the production that pulls you in almost immediately, while the rhythm keeps things moving just enough to make it impossible not to nod along. There’s something about its flow that makes it easy to loop. It’s the kind of song that naturally gets your head nodding, whether you’re paying close attention or letting it play in the background of a late-night drive or a quiet afternoon.
If Yeek’s message was about making time for art that feels personal and unhurried, “Stayin’ Low” is proof of concept. With “Stayin’ Low,” Yeek proves that consistency doesn’t have to mean predictability. It can mean refining a sound, trusting your instincts, and letting the music speak at its own pace. And in a time when everything seems to be speeding up, that approach feels not just refreshing, but necessary.
For Yvng Jin, music is a bridge between two homes.
The 20-year-old Filipino American singer, songwriter, and producer is entering a pivotal chapter with the release of his newest single, “WALA NANG IBA (NOBODY).” But beyond the sleek production and smooth vocals lies a young artist carving out space for his Filipino identity in a global soundscape.
Born and raised in the United States, Jin has never shied away from calling himself a “pure-blooded Pinoy.” That pride takes center stage in this latest release. While “NOBODY” delivers a polished English-language track primed for international playlists, he made a deliberate choice to drop a Tagalog version titled “Wala Nang Iba (Nobody)” at the same time.
“It explores the feeling of finding somebody that nobody else you know compares to,” he shares, describing the song’s core theme. The sentiment is universal, but the bilingual release makes it personal. In an era when Filipino artists are increasingly gaining global traction, Jin positions himself as part of a new wave, those artists who don’t see their heritage as a niche, but as an asset.
His relationship with music began early. “Music’s always been a part of my life,” he says. “I started making music in the 7th grade. I fell in love with it quick.”
That early infatuation has since matured into a full-fledged career backed by serious numbers. With millions of streams across YouTube, Spotify, and other platforms, Jin is steadily building an audience that stretches far beyond Fil-Am communities.
Yet even with early success, Jin’s eyes are set on growth. He’s already at work on his second album, signaling that his debut chapter was only the beginning. At the same time, he’s looking to reconnect with his roots in a more tangible way. Having last visited the Philippines as a child, he’s planning a return.
“Excited to experience being back in the motherland as a young man,” he says, smiling at the thought. If “WALA NANG IBA (NOBODY)” proves anything, it’s that Yvng Jin isn’t choosing between cultures.
There’s a familiar feeling that settles in the moment Arron Rebustes begins to sing. It’s a kind of quiet warmth, like hearing a voice that understands the things you sometimes can’t explain. That same sense of comfort finds its way into his newest single, “Panahon,” but this time, the emotion lingers a little longer.
The song unfolds gently, almost like a story told in soft light. It doesn’t rush toward a climax or chase a dramatic peak. It walks beside the listener, exploring the quiet spaces where questions about love often live.
Arron himself shared how personal the track is to him. In an Instagram post, he wrote, “this song is very close to my heart. it’s about believing that there’s a perfect time for everything, and how this feels like the perfect time to share this music, especially in the month of love. i hope you guys love this as much as i do. i wouldn’t be able to do this without the people who helped me and believed in me.”
Listening to “Panahon” feels like reading a letter never meant to be rushed. The song traces the journey of someone learning to sit with uncertainty rather than fight it. There’s longing, but it isn’t desperate. There’s solitude, but it isn’t lonely. There’s a quiet acceptance that love, like time, moves in its own rhythm.
Part of what makes the track stand out is its structure, or rather, its lack of a traditional one. Arron steps away from the usual chorus-driven format, explaining, “I realized that not every song needs a traditional chorus, it just needs to feel right.”
And the song does feel right. The melodies rise and fall naturally, carrying emotion in place of repetition, allowing the music itself to become the refrain. With subtle production touches from Nikhil Amarnani, the arrangement adds depth without overshadowing the heart of the song.
But more than anything, it’s Arron’s voice that anchors the experience. Soft but assured, it guides listeners through the song like a companion on a long walk and not telling them what to feel, but giving them space to feel it.
Whenever Arron sings, it feels more like being wrapped in a story you didn’t realize you needed to hear.
Canada’s biggest Filipino youth leadership gathering returns to Ottawa this February 20-22.
Pinoys on Parliament (POP), Canada’s first and largest Filipino-Canadian Youth Leadership Conference returns to Parliament Hill for its 8th year – bringing together the next generation of leaders, creatives, and changemakers from across the country.
Hosted by Kabangka, POP has spent the last seven years creating space for Filipino-Canadian youth to lead, learn, and show up boldly in Canada’s civic and cultural landscape. Each year, nearly 300 delegates travel from coast to coast—from the Yukon to Ontario—for a high-energy weekend of workshops, panels, and real conversations about leadership, identity, and impact. POP is where the next gen links up—through workshops, panels, and real conversations that help young leaders grow their voice and their network.
And this year, POP levels up.
The weekend kicks off with a gala night on Parliament Hill featuring a keynote from media icon Carlos Bustamante known widely as the long-time host of YTV and reporter for ET Canada.
Year on year at POP, MYX—the entertainment and media partner of POP—comes through with live performances that hit. Past MYX stages have featured Neiman, known for his smooth R&B sound and emotionally honest tracks; Russell!, a fan-favorite for his infectious pop energy and viral hits; and Hillari, a Filipino-Norweigian whose soulful vocals and heartfelt songwriting always leave a mark.
This year, MYX turns it up again.
Headlining MYX Presents is Jaime Ave, pulling up from the U.S. West Coast with his smooth vibes, undeniable presence, and a live set built to be felt. Expect a night that goes big—and leaves the crowd wanting more.
Registration for delegates is now closed, but the public can still join the POP Community Symposium on Sunday, February 22 at the University of Ottawa—featuring Filipino-owned vendors, community partners, and spaces to connect.
POP Community Symposium
📅 Sunday, February 22, 2026 ⏰ 9:00 AM – 2:00 PM 📍 Room 4101, Desmarais Hall, University of Ottawa (55 Laurier Ave E, Ottawa)
More info: kabangka.org
Media: info@pinoysonparliament.org | info@kabangka.org
MYX is the official entertainment and media partner of POP. For media requests for Jamie Ave, please email us at MYXGlobal@abs-cbn.com.
If being beautiful and talented all in one is a crime, then Mika Salamanca is gladly guilty, and she embraces it with confidence in her newest single, “Kasalanan.”
The Pinoy Big Brother: Collab Edition big winner is proving that her artistry goes far beyond reality television. With “Kasalanan,” she steps boldly again into the music scene as she delivers a head-bopping pop track that feels both playful and empowering.
Written and composed by Jeremy G. together with WRIVE members Russu Laurente and Ishiro Incapas, the song highlights Mika’s vocal color while giving listeners a sound that is easy to enjoy from the very first beat.
The track carries an infectious rhythm that instantly pulls you in. It’s the kind of song that makes you feel like the main character as if you’re walking down a hallway like it’s a runway, chin up, owning every step, and telling yourself, “it’s okay.” Its hook is especially memorable, and before you know it, the line “hindi naman ito kasalanan” lingers in your mind, almost impossible not to hum long after the music stops.
What makes “Kasalanan” work so well is how naturally it fits Mika’s voice. There’s a confidence in her delivery that doesn’t feel forced. It feels like an extension of her personality that we saw inside the PBB house: bold, expressive, unapologetic, and unafraid to stand out.
The music video elevates the experience even further. Visually, it plays out like a stylish action film, packed with striking scenes and strong character moments with Anthony Jennings. Viewers are treated to different sides of Mika throughout the video. There’s action star Mika, commanding attention in high-energy sequences; singer Mika, fully immersed in her craft; and, of course, a version of Mika that radiates undeniable star power and charisma, like the kind of pop star she already is.
If this is the direction she’s heading, listeners can expect even bigger and bolder sounds in the future. And this song is Mika’s way of saying she’s not apologizing for it anytime soon.
Clara Benin slips back in quietly, the same way certain memories do.
“Muscle memory” feels less like a breakup song and more like an emotional afterimage, the kind that shows up when you least expect it. It’s about the strange in-between phase where you’re no longer hurting the way you used to, but traces of someone still live in the smallest corners of your everyday life.
The song centers on a love that has already run its course, but not one that vanished cleanly. Instead, it lingers in reflexes, routines, and moments you don’t consciously invite. Clara captures the experience of having moved on logically while your instincts remain a step behind.
Not the dramatic kind of heartbreak, but the subtler one when you’re technically okay, when life has moved forward, and your body hasn’t fully caught up. Clara sings the feeling of waking up and still expecting a name on your phone, of instinctively reaching for someone who no longer exists in your daily routine. It’s that realization that even when the heart understands, the body remembers, and sometimes, it remembers first.
The gentle instrumentation never competes with the emotion as it simply holds space for it. Clara’s vocals remain soft and close, carrying a sense of vulnerability that feels almost unguarded.
“Muscle memory” doesn’t romanticize the past or beg for reconciliation. It recognizes that healing can coexist with remembering. The love may be over, but it has already shaped the way you move, feel, and exist.
Ultimately, “muscle memory” resonates because it mirrors real emotional growth that is slow, uneven, and deeply human. It’s for those who have learned to live without someone but still carry pieces of them unconsciously.
Trisha Puso’s “Alapaap” is a gentle track that feels like a soft confession to someone who may never truly be yours.
The song floats effortlessly between soft pop and acoustic melodies which creates an intimate atmosphere that immediately draws you in. It’s the kind of song you put on when you’re alone in your room, letting yourself feel every emotion without holding back.
What makes “Alapaap” so relatable is how it captures the complexity of unspoken love. Trisha sings about the joy of thinking about someone who lifts your spirits just by existing in your thoughts, while also acknowledging the bittersweet truth that this love may not last. There’s a sense of calm in the music, yet the lyrics carry an undercurrent of longing, a tug-of-war between hope and acceptance that resonates with anyone who has ever loved quietly.
The beauty of “Alapaap” lies in its simplicity. It doesn’t rush toward a resolution as it lingers in the space between holding on and letting go, reflecting the very human experience of loving someone who feels just out of reach.
Listening to the song feels like watching clouds drift across the sky. “Alapaap” reminds us that love doesn’t always need grand gestures or dramatic declarations; sometimes, it’s enough to simply feel it, even if it can’t be fully realized. By the end of the track, you’re left with a sense of sweet melancholy and gentle hope.
LISTEN HERE: https://push.fm/ps/alapaap
Some songs don’t rush to be understood, they wait. That’s exactly what 12th Street offers with “Makapiling Ka,” a track that feels written for the ones who know what it means to wait, to hope, and to love across distance. As the band steps into 2026, they do so with some emotional honesty.
After gaining online traction with “Walang Humpay” and "Oh Irog" throughout 2025, 12th Street continues to carve out their lane with the release of “Makapiling Ka.” The young band, composed of AJ Prudenciado, Allen Hao, and Alden Hao, has never chased excess. Instead, they’ve focused on crafting songs that linger, slowly embedding themselves into listeners’ lives, and “Makapiling Ka” feels like a natural extension of that approach.
At its core, the song is about waiting. It captures the emotional weight of chasing love that exists just out of reach, whether separated by distance, timing, or circumstance. Rather than dramatizing longing, 12th Street allows it to unfold gently.
Musically, the track sits comfortably within the sonic world 12th Street has been shaping since “Walang Humpay.” The familiar warmth in its arrangement makes the song instantly recognizable as theirs. Rather than chasing trends, the band leans into an approach that reinforces their identity and rewards listeners, their “Street Lights,” who have followed their journey from the start.
What makes “Makapiling Ka” particularly effective is how it feels lived-in. The song doesn’t rush toward resolution, mirroring the uncertainty of waiting itself. Each section unfolds patiently.
While their studio recordings have steadily found an audience online, 12th Street’s music often reaches another level in a live setting. Their ability to translate emotional nuance onstage has become one of their strengths, and “Makapiling Ka” feels like a track that would resonate even deeper when performed live.
VXON appears to have fully stepped into their own lane. They sound less like a group searching for identity and more like one that has finally locked into its natural rhythm, and they’re thriving in it.
The “Monsters of P-pop” have officially released their second studio album, “Pasakalye.” From the opening moments, it’s clear that VXON is settling into a sound that feels natural, confident, and unmistakably theirs.
True to its title, the album’s carrier track “Pelikula” plays like a cinematic slice of everyday life. It captures the grit and groove of kalye-inspired music, those familiar rhythms and melodies that instantly feel lived-in. The track is effortlessly catchy, built for cruising playlists and late-night drives which taps into a shared nostalgia that listeners either secretly enjoy or proudly blast on full volume.
Following “Pelikula,” Pasakalye continues to flex its range with tracks like “sikretong malupet,” “taguan (tayo lang),” “lamoba,” and “walang iba.” These songs highlight VXON’s strongest asset to balance sharp, fiery rap deliveries with smoother, head-bopping production. The verses hit hard without overwhelming the listener, while the hooks are restrained enough to let the grooves breathe.
The flows are sharp, the hooks linger, and the overall sound is undeniably addictive with each track adding another layer to the album’s streetwise charm. One of the album’s biggest wins is its cohesion. Despite the mix of moods and tempos, “Pasakalye” never feels scattered.
Moreover, what makes “Pasakalye” particularly satisfying is how it brings together the group’s past and present. The album includes pre-release singles and fan favorites such as “Tabi Tabi,” “Sh*t Sobrang Init,” and “Dapat Lang Ako Lang,” which are tracks that helped define VXON’s growing influence in the P-pop scene.
“Pasakalye” thrives on texture rather than excess. While the album doesn’t necessarily reinvent the genre, it refines VXON’s place within it. The album captures the chaos, confidence, and charisma that VXON has been building toward since their debut, now refined into a cohesive body of work. As the "Pelikula" lyrics suggest, "ang kwento natin ay nagsisimula pa lang."
As momentum continues to build, VXON is gearing up for a major milestone. The group is set to hold their first-ever solo concert, “Kalawakan,” on February 28 at the SM North EDSA Skydome.
In 2025, “Torpe” found its way into countless playlists, and likely more than a few Spotify Wrapped summaries. JAO’s highly relatable track stirred waves of nostalgia, bringing listeners back to the era of shipping loveteams like Pinoy Big Brother Collab’s WillCa, while also mirroring real-life stories that felt deeply personal and universally familiar.
For many, confessing emotions has never been easy; it takes courage to speak feelings out loud, especially for those who consider themselves “torpe.” That quiet fear sat at the heart of “Torpe,” and now, JAO revisits emotional hesitation from a new angle.
His latest single, “WAG KA MUNANG UMUWI,” gently explores a different kind of fear and the realization that time with someone special may be painfully limited.
While “Torpe” focused on the struggle of admitting affection, “WAG KA MUNANG UMUWI” captures a more immediate emotional tension. The song zeroes in on the moment just before goodbye. It is a softer, more intimate kind of longing that does not come from shyness but from the awareness that moments shared are fleeting.
JAO describes the track as a reflection of raw, unfiltered emotions which allows vulnerability to exist without walls. The song leans into affection freely given and highlights the desire to hold on to a moment before it slips away. According to the singer-songwriter, the emotional truth of the track comes from a very real and recent experience.
“From start to end, walang nagbago dahil itong song na ‘to ay literal na may specific experience na pinanggagalingan at super recent lang nito,” JAO explains.
This personal foundation gives “WAG KA MUNANG UMUWI” its sincerity. Rather than dramatizing love, the song thrives in its subtlety. It speaks to anyone who has ever wanted to pause the night, extend a conversation, or delay a goodbye just a little longer.
In an Instagram post, JAO wrote, "Para sa’ting may mga sepanx at para sa isang old flame na minsan naging muse ng buhay ko."
With this release, JAO dedicates the song to listeners who miss easily and love deeply. He encourages them to embrace openness and to express affection without hesitation, especially in moments of departure or loss.
“Sana malaman nilang ayos lang na binibigkas natin yung mga tunay nating nararamdaman tuwing lumalayo, umaalis o nawawala yung mga importanteng bagay o tao sa buhay natin.” he shares.
As JAO continues to grow as an artist, his music remains grounded in emotional honesty. From the timid confessions of “Torpe” to the tender plea of “WAG KA MUNANG UMUWI,” he consistently transforms everyday emotions into songs that feel both intimate and shared.
“Do it scared.”
These are the words singer-songwriter Loenna exclaims as she explores the push and pull of the act of confessing your true feelings for someone, which is a sentiment that lies at the heart of her newly released single, “Kabado.”
Rooted in emotional honesty, the track captures the quiet chaos of loving someone in secret and the nerve-wracking decision of whether or not to finally say what your heart has been holding onto.
Inspired by the familiar jitters that come with vulnerability, “Kabado” narrates the gradual journey of recognizing one’s feelings, learning to sit with them, and eventually mustering the courage to act. Rather than portraying confession as a single, dramatic moment, Loenna focuses on the emotional buildup—the sleepless thoughts, the racing heart, and the internal back-and-forth.
“May mga time kasi na super big na ng feeling mo, halos nag-uumapaw na so para ‘di ka sumabog, aamin ka! Pero kalaban mo nu’n is kaba,” Loenna explains. It’s that exact conflict, wanting relief through honesty while battling fear, that fuels the core of “Kabado.”
Beyond the urge to confess, the song also gives space to hesitation. Loenna notes that she wanted to highlight another side of the experience that many people quietly relate to.
“I want to write din yung isa pang side ng pagko-confess is yung pagiging urong-sulong if magko-confess na ba ngayon or bukas na,” she adds, pointing to the constant delays and second-guessing that often come with vulnerability.
Sonically, “Kabado” paints a vivid emotional landscape. Loenna’s descriptive lyricism gently unravels the highs and lows of being consumed by unspoken feelings, while the melody mirrors the tension of that frustration. Calm, tender moments reflect the comfort of being in love, contrasted by restless undertones that echo the anxiety of finally wanting to speak up.
With “Kabado,” Loenna sends a message that fear doesn’t always mean stop. Sometimes, it simply means you care, and loving bravely, even with a pounding heart, can be a powerful act of its own.
