Following the gentle intimacy of her recent single “muscle memory,” Clara Benin returns with “the one to blame,” a new track that continues her exploration of reflective soundscapes.
This latest release from the indie singer-songwriter offers what could be called “headspace harmony,” which is a music that doesn’t just fill the ears but quietly settles in the mind.
From the very first notes, “the one to blame” immerses listeners in a soft, wistful atmosphere. Clara’s voice floats over delicate acoustic arrangements, creating a sense of nostalgia familiar to many. There’s a subtle melancholy in her tone, a kind of yearning that resonates especially on quiet, solitary days. It’s the kind of track that invites you to pause, stare out a rainy window, and let your thoughts drift freely.
Lyrically, the song stays true to Clara’s hallmark introspection. She captures the complex feelings of reflection and accountability, framing them not as heavy burdens but as contemplative moments that encourage connection with one’s own emotions.
In a post, Clara admits that this song came from learning how to let someone in without running way. "most of my songs come from heartbreak, longing, or overthinking everything, but this one came from learning how to let someone in without running away," she writes.
With “the one to blame,” Clara demonstrates her gift for translating certain emotions into music that resonates deeply. It’s a companion for solitary afternoons and reflective nights. Fans of her previous work will find a familiar warmth here, while new listeners are invited into a contemplative space that only Clara can craft.
Filipino pop-rock duo ONSE is stepping into a brighter, more playful era with the release of their newest single, “Mukbang.” Known for their guitar-driven sound and emotionally grounded lyricism, the pair takes a noticeable creative approach that feels lighter, warmer, and intentionally refreshing.
From the very first listen, “Mukbang” radiates an easy optimism. The guitars remain at the forefront, anchoring the song in ONSE’s signature sonic identity, but there’s a buoyancy here that sets it apart from their previous releases. The rhythm feels more carefree, the melodies more open, and the atmosphere more inviting, like an open table waiting to be shared.
“It’s so different from our previous work…our goal was to create something fresh, upbeat, and optimistic,” ONSE shares.
That difference is immediately apparent. Rather than leaning into the emotional weight often associated with pop-rock storytelling, ONSE allows themselves to experiment, not only in sound but in perspective. The duo embraced a more playful creative process, giving themselves room to explore how love can exist beyond intensity and longing.
“The idea came from wanting to explore love in a fun and relatable way,” they added.
At the heart of “Mukbang” is a charming metaphor that feels both contemporary and culturally resonant. Borrowing from the concept of online “mukbang” content, where hosts share meals with viewers, the song reframes love as an act of giving. Food becomes the language. To prepare, serve, and offer a meal is to give a part of oneself wholeheartedly.
While ONSE experiments with tone and theme, they never abandon their musical core. The guitars still shimmer with familiarity, grounding the track in their established sound.
With “Mukbang,” ONSE proves that evolution doesn’t always mean drastic change. Sometimes, it simply means seeing love through a softer lens, and inviting listeners to take a seat at the table.
Earlier this year, Kenaniah casually mentioned in a #MYXChecksIn interview that fans could expect more music, and even an album, within the year. It sounded exciting, sure, but with “Huli Na Ba Ang Lahat?” now out, it’s clear he meant every word.
Opening his 2026 slate, the single doesn’t attempt to reinvent him. It refines what listeners already love about Kenaniah: emotional sincerity wrapped in melodies that sit gently on the heart. But this time, there’s a deeper stillness to the storytelling. The track moves with some kind of reflection, carried by smooth soft-rock textures that feel expansive.
“Huli Na Ba Ang Lahat?” unfolds like a late-night realization. It captures the perspective of someone who once chose silence over courage and someone who watched love drift away because they hesitated to fight for it.All that remains is the question, huli na ba ang lahat?
The verses are contemplative, almost conversational, as if Kenaniah is thinking out loud. With the soft rock backdrop, his vocals glide without overpowering the emotion. When the chorus arrives, it opens up.
What makes the song particularly compelling is how it mirrors where Kenaniah is artistically. He has openly shared that he’s still discovering what his sound truly is in 2026. And while that search continues, this track suggests he’s honing in on it. Coming after “Nahihiya” and “Sabihin Mo Lang (Kung Ayaw Mo),” the balance of soft rock soundscapes, introspective lyricism, and understated delivery is beginning to form a cohesive identity.
If “Huli Na Ba Ang Lahat?” asks whether love came too late, Kenaniah’s artistry feels right on schedule. He may still be defining his sound, but with releases like this, he’s clearly moving closer. Because if this is him still “finding” his sound, then it’s safe to say, hindi na talaga huli ang lahat.
Watch the #MYXChecksIn interview here:
by Julienne Frago
With an honest, vulnerable, and emotionally charged single “Sick and Tired”, singer-songwriter Gabri Panlilio deepens her ongoing advocacy for mental health awareness. It captures the quiet breaking point many experience but rarely talked about—when exhaustion goes beyond any physical fatigue, and settles deep into the mind and soul.
The song “Sick and Tired” was inspired by Gabri’s personal experiences with emotional and mental burnout. It was born from a season of being overwhelmed by expectations, labels, and the pressure to constantly hold oneself together, and realizing that feelings cannot simply be ignored and pretending to be okay is no longer the option.
Through “Sick and Tired,” Gabri hopes to send a message to the listeners who may be feeling emotionally drained, unheard, or misunderstood; that it is okay not to be okay. Being surrounded by a positive and supportive environment can make all the difference, especially during one’s lowest and difficult moments.
Continuing the mental health conversations she began with her earlier release “Calm,” Gabri kept on using her music as a platform for advocacy and sharing awareness. She believes mental health deserves the same level of care and attention as physical health. While faith can offer strength and grounding, she emphasizes that healing also requires actions such as seeking professional help, setting healthy boundaries, and prioritizing both mental and emotional well-being.
“We all pray for healing. Maybe that is why God send doctors and therapists - not to cast out demons, but to help us fight them.” – Gabri’s description in her new youtube video of Sick and Tired (Official Music Video)
BGYO just stepped back into the spotlight — and they didn’t come to play. They came to remind everyone exactly who they are.
The Filipino boy group has officially released their newest single, “FRESH,” and it’s everything you’d expect from a group entering their most confident era yet: smooth, bold, and unapologetically self-assured. Available now on all streaming platforms via ABS-CBN Music, the track marks BGYO’s first Tagalog release since 2024’s “Andito Lang,” signaling a sonic and creative reset that feels sharper, cooler, and undeniably them.
At its core, “FRESH” is an anthem for owning who you are — no filters, no apologies. With standout lines like “I got what you want” and “Ain’t nobody fresher than me,” the track leans into confidence as its superpower. Built on a groove-driven hip-hop foundation, the song highlights BGYO’s effortless swagger while expanding their sound into smoother, more refined territory.
Even more personal, the track was written by member Mikki Claver, making it a reflection of the group’s growth not just as performers, but as artists finding their voice. It’s BGYO at their most authentic — and it shows.
This release follows a major year of milestones for the group. From headlining their first solo concert to earning a spot on Spotify Philippines’ “Best of P-Pop On The Rise,” and receiving TikTok’s Community Impact Award, BGYO has continued to level up both at home and globally. They’re also set to hit the stage at DUNK! Music Festival in Japan, further expanding their international footprint.
And the momentum isn’t slowing down anytime soon.
With over 100 million combined audio and video streams, multiple #1 iTunes debuts across Asia and the Middle East, and recognition from global platforms like the Recording Academy, Teen Vogue, MTV Asia, and Netflix, BGYO continues to cement their place as one of the leading forces shaping the global P-Pop movement. Add to that their 5 million-strong social following and over 60 million TikTok likes, and it’s clear: BGYO isn’t just riding the wave — they’re helping define it.
More than just a comeback, “FRESH” feels like a statement. It’s BGYO stepping into their power, owning their evolution, and inviting fans along for the ride.
Because at the end of the day, nothing hits harder than confidence. And right now, nobody’s doing it fresher than BGYO.
Listen to “FRESH” now on all streaming platforms.
On Lunar New Year, Filipino American singer-songwriter Yeek chose to begin the season not in silence, but in sound.
The artist welcomed 2026 with the release of “Stayin’ Low,” which is a track that feels an easy listen on the surface, yet layered with the kind of detail that rewards repeat plays.
The timing of the track also came with a message from the artist that reveals his mindset entering 2026. Reflecting on the current landscape of music and online culture, Yeek wrote, “In a new time where fast content is the new standard & numbers seem to matter more than ever, make time for the art that's for you first. See you in 2026.”
While many releases at the start of the year aim to be loud and attention-grabbing, Yeek took a different route. That sentiment echoes throughout the single, which feels patient, intentional, and rooted in craft.
Musically, “Stayin’ Low” carries the familiar DNA that listeners have come to expect from Yeek. Known for producing, writing, and singing his own material, Yeek continues to shape a sound that feels unmistakably his. His music has often been described as melancholic, soulful, and DIY-driven, and those elements remain present here, but “Stayin’ Low” leans further into groove.
It carries a warm pulse and the overall production glows with a smooth, almost hypnotic texture.
There’s a warmth in the production that pulls you in almost immediately, while the rhythm keeps things moving just enough to make it impossible not to nod along. There’s something about its flow that makes it easy to loop. It’s the kind of song that naturally gets your head nodding, whether you’re paying close attention or letting it play in the background of a late-night drive or a quiet afternoon.
If Yeek’s message was about making time for art that feels personal and unhurried, “Stayin’ Low” is proof of concept. With “Stayin’ Low,” Yeek proves that consistency doesn’t have to mean predictability. It can mean refining a sound, trusting your instincts, and letting the music speak at its own pace. And in a time when everything seems to be speeding up, that approach feels not just refreshing, but necessary.
For Yvng Jin, music is a bridge between two homes.
The 20-year-old Filipino American singer, songwriter, and producer is entering a pivotal chapter with the release of his newest single, “WALA NANG IBA (NOBODY).” But beyond the sleek production and smooth vocals lies a young artist carving out space for his Filipino identity in a global soundscape.
Born and raised in the United States, Jin has never shied away from calling himself a “pure-blooded Pinoy.” That pride takes center stage in this latest release. While “NOBODY” delivers a polished English-language track primed for international playlists, he made a deliberate choice to drop a Tagalog version titled “Wala Nang Iba (Nobody)” at the same time.
“It explores the feeling of finding somebody that nobody else you know compares to,” he shares, describing the song’s core theme. The sentiment is universal, but the bilingual release makes it personal. In an era when Filipino artists are increasingly gaining global traction, Jin positions himself as part of a new wave, those artists who don’t see their heritage as a niche, but as an asset.
His relationship with music began early. “Music’s always been a part of my life,” he says. “I started making music in the 7th grade. I fell in love with it quick.”
That early infatuation has since matured into a full-fledged career backed by serious numbers. With millions of streams across YouTube, Spotify, and other platforms, Jin is steadily building an audience that stretches far beyond Fil-Am communities.
Yet even with early success, Jin’s eyes are set on growth. He’s already at work on his second album, signaling that his debut chapter was only the beginning. At the same time, he’s looking to reconnect with his roots in a more tangible way. Having last visited the Philippines as a child, he’s planning a return.
“Excited to experience being back in the motherland as a young man,” he says, smiling at the thought. If “WALA NANG IBA (NOBODY)” proves anything, it’s that Yvng Jin isn’t choosing between cultures.
There’s a familiar feeling that settles in the moment Arron Rebustes begins to sing. It’s a kind of quiet warmth, like hearing a voice that understands the things you sometimes can’t explain. That same sense of comfort finds its way into his newest single, “Panahon,” but this time, the emotion lingers a little longer.
The song unfolds gently, almost like a story told in soft light. It doesn’t rush toward a climax or chase a dramatic peak. It walks beside the listener, exploring the quiet spaces where questions about love often live.
Arron himself shared how personal the track is to him. In an Instagram post, he wrote, “this song is very close to my heart. it’s about believing that there’s a perfect time for everything, and how this feels like the perfect time to share this music, especially in the month of love. i hope you guys love this as much as i do. i wouldn’t be able to do this without the people who helped me and believed in me.”
Listening to “Panahon” feels like reading a letter never meant to be rushed. The song traces the journey of someone learning to sit with uncertainty rather than fight it. There’s longing, but it isn’t desperate. There’s solitude, but it isn’t lonely. There’s a quiet acceptance that love, like time, moves in its own rhythm.
Part of what makes the track stand out is its structure, or rather, its lack of a traditional one. Arron steps away from the usual chorus-driven format, explaining, “I realized that not every song needs a traditional chorus, it just needs to feel right.”
And the song does feel right. The melodies rise and fall naturally, carrying emotion in place of repetition, allowing the music itself to become the refrain. With subtle production touches from Nikhil Amarnani, the arrangement adds depth without overshadowing the heart of the song.
But more than anything, it’s Arron’s voice that anchors the experience. Soft but assured, it guides listeners through the song like a companion on a long walk and not telling them what to feel, but giving them space to feel it.
Whenever Arron sings, it feels more like being wrapped in a story you didn’t realize you needed to hear.
Canada’s biggest Filipino youth leadership gathering returns to Ottawa this February 20-22.
Pinoys on Parliament (POP), Canada’s first and largest Filipino-Canadian Youth Leadership Conference returns to Parliament Hill for its 8th year – bringing together the next generation of leaders, creatives, and changemakers from across the country.
Hosted by Kabangka, POP has spent the last seven years creating space for Filipino-Canadian youth to lead, learn, and show up boldly in Canada’s civic and cultural landscape. Each year, nearly 300 delegates travel from coast to coast—from the Yukon to Ontario—for a high-energy weekend of workshops, panels, and real conversations about leadership, identity, and impact. POP is where the next gen links up—through workshops, panels, and real conversations that help young leaders grow their voice and their network.
And this year, POP levels up.
The weekend kicks off with a gala night on Parliament Hill featuring a keynote from media icon Carlos Bustamante known widely as the long-time host of YTV and reporter for ET Canada.
Year on year at POP, MYX—the entertainment and media partner of POP—comes through with live performances that hit. Past MYX stages have featured Neiman, known for his smooth R&B sound and emotionally honest tracks; Russell!, a fan-favorite for his infectious pop energy and viral hits; and Hillari, a Filipino-Norweigian whose soulful vocals and heartfelt songwriting always leave a mark.
This year, MYX turns it up again.
Headlining MYX Presents is Jaime Ave, pulling up from the U.S. West Coast with his smooth vibes, undeniable presence, and a live set built to be felt. Expect a night that goes big—and leaves the crowd wanting more.
Registration for delegates is now closed, but the public can still join the POP Community Symposium on Sunday, February 22 at the University of Ottawa—featuring Filipino-owned vendors, community partners, and spaces to connect.
POP Community Symposium
📅 Sunday, February 22, 2026 ⏰ 9:00 AM – 2:00 PM 📍 Room 4101, Desmarais Hall, University of Ottawa (55 Laurier Ave E, Ottawa)
More info: kabangka.org
Media: info@pinoysonparliament.org | info@kabangka.org
MYX is the official entertainment and media partner of POP. For media requests for Jamie Ave, please email us at MYXGlobal@abs-cbn.com.
If being beautiful and talented all in one is a crime, then Mika Salamanca is gladly guilty, and she embraces it with confidence in her newest single, “Kasalanan.”
The Pinoy Big Brother: Collab Edition big winner is proving that her artistry goes far beyond reality television. With “Kasalanan,” she steps boldly again into the music scene as she delivers a head-bopping pop track that feels both playful and empowering.
Written and composed by Jeremy G. together with WRIVE members Russu Laurente and Ishiro Incapas, the song highlights Mika’s vocal color while giving listeners a sound that is easy to enjoy from the very first beat.
The track carries an infectious rhythm that instantly pulls you in. It’s the kind of song that makes you feel like the main character as if you’re walking down a hallway like it’s a runway, chin up, owning every step, and telling yourself, “it’s okay.” Its hook is especially memorable, and before you know it, the line “hindi naman ito kasalanan” lingers in your mind, almost impossible not to hum long after the music stops.
What makes “Kasalanan” work so well is how naturally it fits Mika’s voice. There’s a confidence in her delivery that doesn’t feel forced. It feels like an extension of her personality that we saw inside the PBB house: bold, expressive, unapologetic, and unafraid to stand out.
The music video elevates the experience even further. Visually, it plays out like a stylish action film, packed with striking scenes and strong character moments with Anthony Jennings. Viewers are treated to different sides of Mika throughout the video. There’s action star Mika, commanding attention in high-energy sequences; singer Mika, fully immersed in her craft; and, of course, a version of Mika that radiates undeniable star power and charisma, like the kind of pop star she already is.
If this is the direction she’s heading, listeners can expect even bigger and bolder sounds in the future. And this song is Mika’s way of saying she’s not apologizing for it anytime soon.
Clara Benin slips back in quietly, the same way certain memories do.
“Muscle memory” feels less like a breakup song and more like an emotional afterimage, the kind that shows up when you least expect it. It’s about the strange in-between phase where you’re no longer hurting the way you used to, but traces of someone still live in the smallest corners of your everyday life.
The song centers on a love that has already run its course, but not one that vanished cleanly. Instead, it lingers in reflexes, routines, and moments you don’t consciously invite. Clara captures the experience of having moved on logically while your instincts remain a step behind.
Not the dramatic kind of heartbreak, but the subtler one when you’re technically okay, when life has moved forward, and your body hasn’t fully caught up. Clara sings the feeling of waking up and still expecting a name on your phone, of instinctively reaching for someone who no longer exists in your daily routine. It’s that realization that even when the heart understands, the body remembers, and sometimes, it remembers first.
The gentle instrumentation never competes with the emotion as it simply holds space for it. Clara’s vocals remain soft and close, carrying a sense of vulnerability that feels almost unguarded.
“Muscle memory” doesn’t romanticize the past or beg for reconciliation. It recognizes that healing can coexist with remembering. The love may be over, but it has already shaped the way you move, feel, and exist.
Ultimately, “muscle memory” resonates because it mirrors real emotional growth that is slow, uneven, and deeply human. It’s for those who have learned to live without someone but still carry pieces of them unconsciously.
Trisha Puso’s “Alapaap” is a gentle track that feels like a soft confession to someone who may never truly be yours.
The song floats effortlessly between soft pop and acoustic melodies which creates an intimate atmosphere that immediately draws you in. It’s the kind of song you put on when you’re alone in your room, letting yourself feel every emotion without holding back.
What makes “Alapaap” so relatable is how it captures the complexity of unspoken love. Trisha sings about the joy of thinking about someone who lifts your spirits just by existing in your thoughts, while also acknowledging the bittersweet truth that this love may not last. There’s a sense of calm in the music, yet the lyrics carry an undercurrent of longing, a tug-of-war between hope and acceptance that resonates with anyone who has ever loved quietly.
The beauty of “Alapaap” lies in its simplicity. It doesn’t rush toward a resolution as it lingers in the space between holding on and letting go, reflecting the very human experience of loving someone who feels just out of reach.
Listening to the song feels like watching clouds drift across the sky. “Alapaap” reminds us that love doesn’t always need grand gestures or dramatic declarations; sometimes, it’s enough to simply feel it, even if it can’t be fully realized. By the end of the track, you’re left with a sense of sweet melancholy and gentle hope.
LISTEN HERE: https://push.fm/ps/alapaap
