The beloved community flea market returns with curated thrift treasures, live hip-hop and R&B performances, and a celebration of self-expression.
Nostalgia is getting another stylish revival as Good Old Days returns for its sixth edition, transforming Pasig City into a hub for fashion, music, and community this May 31.
Set to take over the Metrotent Convention Center, Good Old Days 6 is bringing together some of the country’s most passionate collectors, vintage enthusiasts, creatives, and music lovers for a one-day celebration where culture and individuality take center stage. What began in 2022 as a gathering for like-minded communities has steadily grown into one of the most anticipated lifestyle events on the local calendar.
This year’s installment, powered by TMP Industries and Season Pass, promises its biggest and most curated experience yet. More than 80 merchants and brands are expected to fill the venue with everything from vintage gems and archive fashion pieces to collectibles, streetwear staples, and hard-to-find treasures.
For many attendees, the appeal goes beyond shopping. Good Old Days has become a destination where personal style, creativity, and community intersect. Every booth tells a story, with merchants carefully selecting pieces that reflect their own tastes and passions rather than following mainstream trends. The result is a shopping experience that feels more like a cultural exchange than a typical marketplace.
In a time when fast fashion dominates the conversation, the event continues to champion the value of secondhand clothing, unique finds, and sustainable consumption. Each item carries its own history, allowing shoppers to discover pieces that feel personal and one-of-a-kind.
The crowd-favorite Good Old Days photobooth is also making a comeback. Created in partnership with Kubo Disenyo, the installation has become a staple of the event, giving attendees a chance to immortalize their best outfits and favorite moments. Over the years, the photobooth has become synonymous with the event’s emphasis on self-expression, with snapshots often flooding social media long after the day ends.
Music will once again provide the soundtrack for the experience. Rising names from the local hip-hop and R&B scene, including Gaspari, Uncle Dags, and Baby Freeze, will share the stage with fan favorites Waiian and Kiyo, ensuring the energy remains high from start to finish.
For Douglas Brocklehurst, CEO of TMP Industries, the event’s success lies in its authenticity. “What makes Good Old Days special is that everything you see is curated by people who are actually part of the community,” he said.
That sense of belonging remains at the heart of Good Old Days. Whether visitors come searching for a vintage grail, discovering new music, or simply connecting with fellow creatives, the event offers a space where culture thrives and communities come together.
Photo credit: HYBE x Geffen Records
HYBE x Geffen is gearing up for its next major global debut as it officially introduces SAINT SATINE, the newest four-member girl group formed through the conclusion of the audition series World Scout: The Final Piece, streamed via ABEMA.
The announcement confirms a lineup that blends already familiar global trainees with a newly discovered standout. The group consists of Emily (USA, 20), Lexie (Sweden, 21), and Samara (Brazil, 20)—all of whom previously gained international attention through the Netflix docuseries Pop Star Academy: KATSEYE. Their journey now continues under a new identity as SAINT SATINE.
Emily - Lexie - Samara
Completing the roster is Japan’s Sakura (16), who was officially chosen during the show’s finale. Out of more than 14,000 applicants, Sakura emerged as the final member after a highly competitive selection process that unfolded in Japan and was documented throughout the series.
To mark the culmination of the project, HYBE x Geffen released the digital single album World Scout: The Final Piece – Finale, featuring two tracks that highlight the intensity of the final selection round.
One of the standout records, “PARTY b4 the PARTY,” brings together Sakura, Emily, Lexie, and Samara in a high-energy performance built on punchy beats, heavy bass shifts, and playful vocal exchanges. The track leans into a bold, club-ready energy, capturing the excitement of pre-party anticipation and the chemistry between the members.
The second track, “WE RIDE,” features finalist Ayana alongside Emily, Lexie, and Samara. In contrast to the first song’s explosive vibe, it offers a smoother, nostalgic sound inspired by early 2000s R&B, layered with soft harmonies and a laid-back rhythm.
With the lineup now complete, SAINT SATINE is officially set for its global launch. HYBE x Geffen describes the group as existing in a space between contrast and control. The name reflects that duality, with “SAINT” representing strong artistry and presence, while “SATINE” evokes softness, refinement, and sophistication.
Cover Art By Julie Greve
A new Gracie Abrams era is officially on the way.
The Grammy-nominated singer-songwriter revealed that her third studio album, Daughter from Hell, will arrive on July 17 via Interscope Records, marking her latest creative chapter alongside longtime collaborator and producer Aaron Dessner.
The announcement immediately sent fans into a frenzy online, especially after weeks of cryptic teasers and hints shared across Abrams’ social media accounts. Adding to the excitement, listeners won’t have to wait long for new music, as the album’s lead single, “Hit the Wall,” is set to be released this Friday morning in the Philippines.
For many fans, Daughter from Hell signals the beginning of another deeply personal journey from an artist who has built her career on vulnerability and emotional honesty. Abrams has become known for transforming heartbreak, self-reflection, and growing pains into songs that feel like pages taken straight from a diary, creating a connection that resonates strongly with young listeners around the world.
That connection is especially evident in the Philippines, where Abrams has steadily grown one of her most passionate international fan communities. Her music has become a staple among Filipino Gen Z listeners, frequently soundtracking TikTok videos, curated Spotify playlists, and relatable online content centered on love, loss, and self-discovery.
Photo Credit: Julie Greve
Tracks such as “That’s So True” and “I Love You, I’m Sorry” have found a particularly enthusiastic audience locally, with many fans embracing the songs’ raw storytelling and emotional depth. Their popularity has helped cement Abrams as one of the most streamed and talked-about singer-songwriters among young Filipino music lovers.
As her profile continues to rise, so do calls for her to finally perform in Manila.
Whenever Abrams announces new tour dates or project updates, Filipino fans are often quick to flood comment sections with requests for a Philippine stop. The latest album announcement was no exception, reigniting online campaigns urging the singer-songwriter to include Manila in her future touring plans.
The movement has even attracted attention from local celebrities, including actress and television host Anne Curtis, who previously joined fans in expressing hopes of seeing Abrams perform in the country.
With Daughter from Hell now officially on the calendar and “Hit the Wall” just days away from release, Filipino fans have plenty to look forward to as Abrams prepares to unveil the next chapter of her musical story.
Launches pink-colored new single “habangbuhay pansamantala” out on Sunday
Maki continues to make a mark in the music scene after surpassing 1 billion all-time streams on Spotify ahead of his “KOLORCOASTER” Southeast Asian tour and the release of his new single “habangbuhay pansamantala.”
The milestone comes on the heels of the massive success of his album “KOLORCOASTER,” which produced fan-favorite hits such as “Dilaw,” “Namumula,” and “kahel na langit.” Bringing the vibrant world of the album to the international audiences, Maki is set to perform at The Theater at Mediacorp, Singapore on June 13 and in Bengkel Space, Jakarta, Indonesia on June 14, with additional stops in North America, Australia, and New Zealand to be announced soon. Fans can avail tickets for the Singapore and Indonesia shows on MakiKolorcoasterTour.myx.global.
Before kicking off the tour, the Kapamilya singer-songwriter is set to drop his new single “habangbuhay pansamantala” on Sunday (May 24). Described by Maki as a “pink song,” the emotional track serves as an anthem for those stuck in a relationship where they are treated as second choice or kept on the backburner.
Maki composed the song himself. Even before its official release, a preview of the track has already gained millions of views across social media, resonating with listeners through its heartbreaking and relatable message.
To celebrate the launch of the single, Maki announced two special fan events, “Pink Fest” happening at TriNoma on May 29 and “Pink Room” at Quezon Club, Solaire Resort North on June 5. Fans can get “Pink Room” tickets via Solaire Rewards.
Join Maki in his “KOLORCOASTER” Southeast Asian tour and check out his new single “habangbuhay pansamantala” out on May 24 on digital streaming platforms.
For details, follow Tarsier Records on Facebook, X, Instagram, TikTok, and YouTube. For updates, follow @abscbnpr on Facebook, X, Instagram, TikTok, or visit corporate.abscbn. com/newsroom.
ABOUT ABS-CBN
ABS-CBN Corporation is a media and entertainment organization in the Philippines. The Company is primarily involved in the
production of entertainment, feature films, news and information and audio content for domestic and international audiences.
ABS-CBN produces content and distributes its programs, feature films, and music on different platforms such as cable and satellite
TV, domestic free TV through various partnerships with local broadcasters and third-party digital platforms, as well as traditional boxoffice releases. ABS-CBN also distributes content through its streaming service, iWantTFC, and through co-production and syndication agreements with international streaming platforms, broadcasters and cable and satellite programmers. Related businesses include artist and talent management as well as concerts and events.
Singapore-based artist teem is continuing to step forward from behind the production desk and into his own spotlight, slowly shaping a solo identity that feels both intimate and intentional. Once widely recognized as producer Timothy Liew—whose work includes the viral Tagalog hit “ikaw, ikaw, ikaw” by ICEBOX and Eliza Maturan, which has already surpassed 30 million streams—teem is now writing his own story.
After unveiling his debut single in March 2026, “2X CHAMP,” which carried a more upbeat and rhythm-forward energy, he returns with a quieter but emotionally heavier offering titled “tomatoes.” Set for release on May 15 across all major streaming platforms, the track signals a clear shift in tone and texture, leaning into restraint rather than intensity.
“tomatoes” unfolds in a stripped-back folk-pop setting, where delicate acoustic guitar lines carry most of the emotional weight. Instead of layered production or sharp rhythmic hooks, the song breathes in silence and space, allowing its vulnerability to sit at the forefront. It feels less like a performance and more like a late-night thought you weren’t meant to say out loud.
At its core, the track reflects on the slow unraveling of a relationship that once felt full, now reduced to emotional distance. Using the metaphor of something once fresh gradually losing its life, teem captures the quiet ache of watching connection fade while still holding on to the idea of what it used to be. The writing is understated but heavy with feeling, painting love not as a dramatic collapse, but as a gradual disappearance.
This softer sonic direction also reveals a different side of teem’s artistry that leans into vulnerability and emotional clarity, echoing the sensibilities of modern indie-pop acts like Jeremy Zucker and LANY. It’s a contrast to his earlier, more structured production work, showing a willingness to step into discomfort and simplicity as creative tools.
Beyond his solo journey, teem’s influence in Southeast Asia’s music landscape continues to grow. He has also contributed to rising regional voices such as Regina Song. With an accompanying music video slated for May 22, “tomatoes” serves as another quiet but meaningful step in teem’s unfolding narrative
There’s something uniquely surreal about being an older Gen Z--growing up in the middle of multiple pop culture eras colliding at once. We witnessed the rise of 2000s pop-punk and emo bands that became the soundtrack of teenage angst, while also experiencing the dominance of global pop superstars and the explosive arrival of the Hallyu wave.
One moment, we were downloading band wallpapers and memorizing Dashboard Confessional lyrics; the next, we were learning K-pop fan chants and refreshing YouTube for new music video drops.
Now, as older Gen Zs and young millennials step into their late 20s and early 30s, nostalgia hits in a completely different way. We grew up copying lyrics into notebooks, waiting all day for our favorite music videos to air on television, and customizing our profiles with dramatic emo anthems playing in the background. And somehow, despite how fast everything changed, those songs still feel like yesterday.
And this May, the soundtrack of that era is suddenly alive again. From OPM legends to iconic voices we grew up hearing on the radio, here’s the ultimate concert and music guide for every “trentahin” who still says, “Grabe, parang kailan lang.”
The first thing on the map is the Playback Festival. Though the show has already wrapped up, Faber Drive, The Red Jumpsuit Apparatus, and Dashboard Confessional transformed the SM Mall of Asia Arena into a time capsule of nostalgic anthems that defined our elementary and high school years.
These were the songs that played during our first crushes, first loves, first heartbreaks, and every dramatic “main character moment” in between. The kind of tracks we blasted through earphones while staring out the window pretending we were in a music video.
It was a night of screaming “Tongue Tied” at the top of our lungs, reliving emo-phase memories through “Face Down,” and feeling every ounce of emotion that came with Dashboard Confessional’s heartbreaking lyrics. For one night, the “rawr XD” generation reunited: older, maybe more tired, but still knowing every single word by heart.
Back in 2012, older Gen Zs remember gathering around televisions, endlessly voting online, and proudly rooting for Jessica Sanchez during her unforgettable run on American Idol. For many Filipinos, she became a symbol of representation, talent, and pride on a global stage.
Now, years later, Sanchez returns to the Philippines in a completely new era of her life — not only as a globally recognized powerhouse vocalist and America’s Got Talent champion, but also as a new mom embracing a fresh chapter beyond the spotlight.
This May 16, she’s set to headline a major concert at the Smart Araneta Coliseum, joined by a star-studded lineup of guests including Vice Ganda, Morissette, James Reid, and more.
There was a time when nearly every café, acoustic night, and senti playlist in the Philippines carried the unmistakable sound of “Para Sa Akin.” Two decades later, the song remains one of the most recognizable OPM staples, covered by countless Filipino artists, performed in karaoke sessions, and still capable of triggering instant nostalgia with just a few opening notes.
Now, the Philippines’ “Bossa Nova Queen” is celebrating that legacy in a major way. This May 17, Sitti headlines “Sittiscape: The City of Bossa” at the Newport Performing Arts Theater. The concert marks 20 years of her iconic hit “Para Sa Akin” while also celebrating the anniversary of Café Bossa, the album that helped define an entire era of chill, acoustic-driven OPM.
If there’s one thing every trentahin can agree on, it’s that early 2000s OPM hit differently.
The emotional ballads of Freestyle, the smooth R&B grooves of South Border, and the unforgettable vocals of “Diamond Soul Siren” Nina became staples of radio stations, burned CDs, karaoke nights, and late-night senti sessions. These were the songs that played in the background of family road trips, school fairs, heartbreaks, and quiet moments alone with wired earphones plugged into an MP3 player.
On May 17 at 19 East, three OPM legends are coming together for one unforgettable night.
There are OPM songs that become hits, and then there are songs that become permanent chapters in people’s lives. “Pagdating ng Panahon” belongs to the latter.
Now celebrating 25 years since its release, the timeless ballad continues to resonate across generations. It carried feelings that were difficult to explain at the time and the kind of track that somehow grows with you, sounding completely different depending on what stage of life you’re in.
And even after two and a half decades, the opening lines of “Pagdating ng Panahon” still have the power to instantly soften a room. This May 23 at 8 PM, Ice Seguerra returns to the stage for Back “2” Back at the Winford Resort & Casino Manila. Adding even more emotion to the night are special guests Gerald Santos and ROUGE.
Another night of timeless hits and unforgettable performances awaits as MYMP and Side A take center stage for a feel-good OPM showcase, joined by Sessions with Brian Yamsuan. Happening on May 24 at 19 East, the evening promises a heartfelt throwback of acoustic classics and well-loved ballads that defined countless memories.
This is the generation that grew up in transition. We witnessed the rise of emo bands, acoustic café playlists, OPM ballads, pop superstars, and the Hallyu wave all at once, creating a soundtrack that felt uniquely ours.
And now, as adulthood moves faster and responsibilities grow heavier, hearing these songs live again feels almost comforting. Suddenly, we’re transported back to school corridors, family road trips, late-night radio sessions, Friendster profiles with autoplay music, and simpler versions of ourselves who thought those moments would last forever. Because no matter how much the world changes, some melodies will always sound like home.
More than a decade after their songs dominated playlists, Tumblr pages, and late-night emo sessions, three bands that helped define an era are making their way back to the Philippines for a nostalgia-filled music spectacle that is expected to unite generations of fans under one roof.
The upcoming is shaping up to be more than just another concert. For many Filipino listeners who grew up during the peak of punk, rock, and emo music in the 2000s, it is a chance to relive the soundtrack of their youth through the very artists whose songs became staples of heartbreak playlists, barkada road trips, and early social media profiles.
Set for May 8 at the SM Mall of Asia Arena and May 9 at the Waterfront Cebu City Hotel and Casino, the festival will feature full performances from Dashboard Confessional, The Red Jumpsuit Apparatus, and Faber Drive.
Even years after the height of the emo and pop-punk boom, Filipino fans continue to stream and revisit the bands’ biggest hits. Songs like “Hands Down,” “Vindicated,” “Face Down,” “Your Guardian Angel,” “Tongue Tied,” and “When I’m With You” remain familiar anthems among listeners who grew up in the era of burned CDs, MySpace playlists, and emotional sing-alongs.
Following the success of the 2025 edition of Playback, organizers are once again banking on the enduring connection between Filipino audiences and the genre that once defined an entire music generation. The festival promises over four hours of live punk, rock, and emo performances, bringing together three influential acts on one stage for what many fans consider a rare concert experience.
Unlike typical multi-artist festivals where performers deliver shortened appearances, fans can expect a “3 concerts in 1 night” setup, with each band performing full sets loaded with fan favorites and signature tracks. From emotional acoustic moments to explosive crowd-jumping anthems, the event is expected to recreate the energy that shaped an entire generation of alternative music fans.
Meet the Artists
Dashboard Confessional
Fronted by Chris Carrabba, Dashboard Confessional became one of the defining voices of the emo movement in the early 2000s. Known for deeply personal lyrics and emotionally charged performances, the band built a devoted global following with iconic hits like Vindicated, Stolen, and Hands Down that captured heartbreak, hope, and everything in between.
The Red Jumpsuit Apparatus
With explosive energy and emotionally driven anthems, The Red Jumpsuit Apparatus carved their place in punk rock history. Their breakout hits – including Face Down, Your Guardian Angel, and False Pretense became staples of the mid-2000s alternative scene, resonating with fans through powerful melodies and lyrics that speak to resilience, love, and standing your ground.
Faber Drive
Blending pop-rock hooks with emo heart, Faber Drive quickly became a fan favorite with catchy choruses and relatable storytelling. Their infectious hits — including Tongue Tied, When I'm With You, and Candy Store defined their signature sound and earned them a loyal following worldwide.
Photo from UMG Philippines/Instagram
There’s a certain kind of magic that happens when an artist meets a new audience for the very first time and Sienna Spiro’s Manila debut on May 2 felt exactly like that kind of moment unfolding in real time.
Held at the Maybank Performing Arts Theater in Bonifacio Global City, the exclusive, invite-only showcase presented by UMG Philippines introduced the 20-year-old English singer-songwriter to Filipino fans in a setting that felt close and even more personal. For Spiro, it was her first-ever performance in the Philippines.
Across the night, she brought her growing catalog to life with performances of “The Visitor,” “Maybe,” “You Stole The Show,” and her viral breakout track “Die On This Hill.” Each song carried its own atmosphere, but together they painted a clear portrait of an artist still early in her journey yet already fully formed in her voice and vision.
The room shifted when she returned for a final performance of “Die On This Hill,” this time reimagined with the Manila Philharmonic Orchestra. The familiar viral hit was transformed into something cinematic and expansive, wrapping the venue in a wave of strings and emotion. By the time the last note faded, the audience rose in a standing ovation, which was an unspoken welcome from Manila to an artist they were meeting for the first time.
Beyond the stage, she revealed that her song “Material Lover” has been selected for the official soundtrack of The Devil Wears Prada 2.
What made the night stand out wasn’t just the setlist or the milestones as it was the feeling of introduction. A new artist stepping into a new city, and a crowd responding as if they’d been waiting for her all along. With her Manila debut now behind her, Sienna Spiro leaves with a new audience listening closely, ready for whatever comes next.
Manila is set to pulse once more with electrifying beats as &FRIENDS Festival returns in 2026, bringing together some of the biggest names in electronic dance music alongside a powerful wave of Filipino talent. With an expansive lineup spanning global headliners, regional standouts, and homegrown artists, this year’s edition highlights the growing influence of the Filipino diaspora in the international EDM scene.
At the forefront of the celebration is Alan Shirahama, who joins the festival as one of its headliners. Known for his dynamic career as both a DJ and the leader of J-pop group GENERATIONS from EXILE TRIBE, Shirahama’s presence reflects a cross-cultural bridge between Japan and the Philippines. His appointment as a Philippine Tourism Ambassador in 2023 adds even more significance to his participation, making his set one of the festival’s most meaningful moments.
Also returning to Manila is Ian Asher, whose globally streamed tracks and collaboration with SB19 have cemented his reputation in the pop-leaning electronic space. Meanwhile, Seduza continues to push sonic boundaries with genre-blending sets that span trap, house, and Jersey club, having previously performed at major festivals like Coachella. Filipino-Australian DJ Tye Turner completes the roster of globally active Filipino acts, bringing his high-energy performances and crowd-commanding presence to the Manila stage.
They are joined by local names such as Marc Marasigan and L.A, alongside Ace Ramos, Afinity, Ami Mura, and others, forming a robust Main Stage lineup that underscores the Philippines’ deepening footprint in electronic music.
Beyond its Filipino-led momentum, the festival also boasts an impressive international roster. Canadian duo Adventure Club will make their Philippine debut, while South Korean producer Aiobahn is set to bring his signature anime-inspired sound to Manila for the first time.
Headlining Night 1 are Porter Robinson and Subtronics, both known for their genre-defining contributions to EDM. Robinson returns following his massive “SMILE! :D” tour, while Subtronics continues his rise as a dominant force in bass music.
Night 2 will close with Galantis and Yellow Claw, two acts whose catalogs have shaped festival culture worldwide, from chart-topping hits to genre-blending anthems.
Across three stages and over 60 artists, &FRIENDS Festival stays true to its mission of delivering a world-class experience. The Club Stage offers a deeper dive into underground sounds, while the newly introduced Friendship Stage highlights collaborative sets and collectives from across Asia, reinforcing the festival’s community-driven spirit.
With no shortage of Filipino talent standing at the helm, the 2026 &FRIENDS Festival is shaping up to be as much a celebration of the Philippines and its people as it is a jam-packed weekend of non-stop raving and electronic music appreciation.
Tickets are available via Ticketmelon and AirAsia MoveTix, with options ranging from single-day passes to group bundles.
R&B powerhouse Kehlani has officially unveiled her long-awaited self-titled album, Kehlani, marking a deeply personal milestone as it arrives on her birthday. The release, now available across major streaming platforms, signals a new era for the GRAMMY® Award-winning artist, defined by emotional clarity, creative freedom, and a bold expansion of her sonic identity.
The self-titled project brings together an all-star lineup of collaborators, including Big Sean, Brandy, Cardi B, Clipse, Leon Thomas, Lil Jon, Lil Wayne, Missy Elliott, T-Pain, and Usher. Together, the features help shape a genre-blurring body of work that leans into Kehlani’s signature mix of vulnerability and experimentation, while elevating her storytelling to new heights.
At its core, Kehlani captures the artist at her most honest, weaving soul-baring narratives with lush, dynamic production. The album builds on the momentum of its previously released singles, beginning with “Folded,” a breakout anthem that has become one of the defining R&B records of the decade. “Folded” delivered major award recognition, including 2x GRAMMY® wins for Best R&B Song and Best R&B Performance, an iHeartRadio Music Award for R&B Song of the Year—where Kehlani also made her debut award show performance—alongside NAACP Image Awards nominations and three American Music Award nods, including Song of the Year.
The rollout continued with “Out The Window,” further spotlighting her emotional transparency and evolving sound. Most recently, Kehlani released “Back and Forth” featuring Missy Elliott, a track that blends introspection with high-energy flair. The collaboration serves as the final preview of the album, pairing Kehlani’s signature vulnerability with Missy Elliott’s unmistakable innovation.
KEHLANI TRACKLIST
1. Intro
2. Anotha Luva (feat. Lil Wayne)
3. No Such Thing (feat. Clipse)
4. Folded
5. I Need You (feat. Brandy)
6. Oooh
7. Back and Forth (feat. Missy Elliott)
8. Shoulda Never (feat. Usher)
9. You Got It
10. Out The Window
11. Still
12. Call Me Back (feat. T-Pain & Lil Jon)
13. Pocket (feat. Cardi B)
14. Lights On (feat. Big Sean)
15. Sweet Nuthins (feat. Leon Thomas)
16. Cruise Control
17. Unlearn
Following Back-to-Back Standout Sets as the First Filipina Group To Ever Perform at Coachella Ranking Among the Most-Watched Performances Worldwide
BINI ushers in a bold new era at the forefront of global pop’s evolution, kicking off their ‘Signals’ World Tour across Asia, Europe, and North America
April 24, 2026 - Los Angeles, CA – The Philippines’ history-making girl group BINI continues their unstoppable rise on the global stage, announcing their highly anticipated ‘Signals’ World Tour, set to hit Asia, Europe, and North America. This tour announcement closely follows the group’s latest highly anticipated release, the “Signals” EP, which marks a defining evolution for BINI, introducing a more confident, global-facing sound that reflects their growing presence on the international stage. Led by the breakout single “Blush,” the project is rooted in sensory experience, exploring the fleeting moments before emotions are fully expressed, capturing feelings as they are first recognized and felt. Following their third studio album, “FLAMES” and the vibrant energy of “BINIverse,” their new body of work expands the group’s sonic and visual identity, blending polished pop production, layered vocals, and a seamless interplay of English and Tagalog.
The announcement follows a defining cultural moment at the Coachella Valley Music & Arts Festival, where BINI made history as the first act from the Philippines to perform at the festival and emerged as one of its breakout acts. BINI’s Coachella debut didn’t just mark a milestone, it became one of the festival’s defining breakout moments. Their performance sparked massive global engagement, including more than 1 million mentions within hours of taking the stage and a No. 1 worldwide trend on X. Performance clips amassed tens of millions of views across platforms in just days, including the most-viewed Coachella 2026 performance by a female act on Instagram, while global search interest peaked on Google Trends, with a perfect 100 score, signaling a major breakthrough on the world stage.
“This means a lot to the girls,” Laurenti “Lauren” Dyogi, the head of Star Magic and Entertainment Group, BINI’s talent management agency states following BINI’s performance. He adds, “It actually means a lot to the entire nation.” –The Hollywood Reporter
With a global fanbase known as “Blooms” and a rapidly expanding digital footprint, BINI continues to build a powerful connection with audiences worldwide. As part of a broader global shift in pop culture, where diverse voices and cross-cultural sounds are increasingly shaping the mainstream, “Signals” positions BINI at the forefront of a new wave of international pop, further solidifying their role as boundary-breaking artists on the world stage.
The Signals World Tour follows the success of the group’s first-ever world tour, the “BINIverse Tour,” which launched with a historic, sold-out concert at the Philippine Arena in Bulacan, making BINI the first Filipino act to achieve a solo sell-out at the world’s largest indoor venue with 50,000 seats.
With over 100 million followers across social platforms, BINI has rapidly become one of the most influential and globally recognized acts to emerge from the Philippines. Their debut Coachella appearance marks a major milestone in the group’s continued international ascent, joining a lineup that includes global superstars Sabrina Carpenter, Justin Bieber, and Karol G. As BINI continues to break barriers and redefine what global pop looks like, their second world tour and most recent EP signal the beginning of an exciting new era for the group and their ever-growing international fanbase.
The announcement follows a breakthrough period for BINI, driven by standout tracks including “Cherry On Top” and “Blink Twice” from BINIverse, as well as “Shagidi,” “Bikini,” and “Sweet Tooth” from FLAMES, which have contributed to their rapidly growing global momentum, helping propel them past two billion combined global audio and video streams across all platforms. Their recent releases, including the BINIverse EP (February 2025), marked a defining step in their evolution as a leading force in the rising Asian pop movement, building on recognition from outlets such as Forbes Asia 30 Under 30 2025, Spotify’s Breakout Artists of 2024 (as the only Filipino act featured), and GRAMMY.com’s “14 Pinoy Pop Acts You Should Know.” The group has also continued to gain international traction through collaborations such as “Blink Twice (Dos Veces Remix)” with Spanish-Mexican artist BELINDA, alongside award recognition including nominations at Brazil’s 2025 BreakTudo Awards and a win for “Female Group of the Year” at the 2025 Jupiter Music Awards
Alongside these significant milestones, BINI became the first Filipino pop group to perform at KCON Los Angeles, the world’s largest Korean culture and music festival, captivating global audiences. They have also earned major accolades including MTV EMA’s Best Asia Act and continue to live up to their title as the Philippines’ ‘Nation’s Girl Group.’ As they enter their new era of music, the group stands at the forefront of Filipino pop music’s international breakthrough, bringing Filipino music to bigger stages and broader audiences worldwide.
Pre-Sale Information:
May 11 - BLOOM MEMBERSHIP Presale
May 12 - Local Pre-sales
May 13 - Spotify Pre-sale
May 15 - General On-sale
2026 World Tour Dates:
Asia Leg 1
June 20 -- Manila, PH at MOA Arena
June 21 -- Manila, PH at MOA Arena
July 11 -- Cebu, PH at SM Seaside Cebu Arena
U.S. & Canada
August 1 -- Honolulu, HI at Neal S. Blaisdell Center – Arena
August 5 -- Los Angeles, CA at Peacock Theater
August 7 -- Rohnert Park, CA at The Event at Graton Resort & Casino
August 8 -- Las Vegas, NV at PH Live at Planet Hollywood
August 9 -- San Diego, CA at San Diego Civic Theatre
August 18 -- Vancouver, BC, CAN at Queen Elizabeth Theatre
August 21 -- Calgary, AB, CAN at Grey Eagle Resort & Casino - Grey Eagle Event Centre
August 22 -- Edmonton, AB, CAN at Edmonton EXPO Centre
August 24 -- Winnipeg, MB, CAN at Canada Life Centre
August 27 -- Toronto, ON, CAN at The Bowl at Sobeys Stadium
August 28 -- Brooklyn, NY at Kings Theatre
EU/UK
August 30 -- Amsterdam, NL at AFAS Live
September 1 -- Rome, IT at Cave of the Auditorium Parco della Musica
September 4 -- Paris, FR at Zenith
September 6 -- London, UK at OVO Arena Wembley
September 9 -- Zurich, CH at Komplex 457
September 11 -- Dusseldorf, DE at Mitsubishi Electric Hall
Asia Leg 2
October 25 -- Singapore, SG at Arena @ EXPO
November 15 -- Taipei City at New Taipei City Exhibition Hall
Please visit BINIWT2026.ABS-CBN.COM for more details and up-to-date information.
About BINI
BINI is an eight-member Filipino girl group (Aiah, Colet, Maloi, Gwen, Stacey, Mikha, Jhoanna, and Sheena) redefining global pop with their radiant sound and powerhouse performances. Crowned the Philippines’ “Nation’s Girl Group,” they have achieved a string of historic milestones, from becoming the first Filipino act to sell out the 50,000-seat Philippine Arena with their BINIverse World Tour, to making history as the first Filipino group confirmed on the lineup of Coachella 2026 alongside international stars Sabrina Carpenter, Justin Bieber, and Karol G. With over 2 billion audio/video streams, BINI has delivered viral hits like Shagidi, which trended #1 in the Philippines and sparked a dance craze across TikTok and YouTube, as well as fan favorites Blink Twice and Cherry On Top. Their collaboration with Spanish-Mexican star Belinda on Blink Twice (Dos Veces Remix) marked the first-ever partnership between a Mexican and Filipino pop act. Recognized as one of Spotify’s Breakout Artists of 2024 and featured in GRAMMY.com’s “14 Pinoy Pop Acts You Should Know,” the group has also earned major accolades including three nominations at Brazil’s 2025 BreakTudo Awards and winning “Female Group of the Year” at the 2025 Jupiter Music Awards, and were most recently honored with the Powerhouse Award at the 2026 Billboard Philippines Women in Music event. From stages across Dubai, London, the U.S., and Canada, to appearances at KCON Los Angeles, BINI continues to captivate audiences worldwide. With honors including MTV EMA’s Best Asia Act and growing recognition in Billboard and GRAMMY features, they are at the forefront of the global rise of Filipino pop, bringing their music to bigger stages and broader audiences than ever before.
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MEDIA CONTACT FOR ALL BINI NORTH AMERICA PRESS INQUIRIES:
Miller PR | bini@miller-pr.com
A rising K-pop force is stepping into the world of wellness, and the timing couldn’t be sharper.
The nine-member K-pop rookie group, formed through the hit survival show Universe League, is stepping into a new era as the official Youth Ambassadors for IAM Worldwide. But more than just a brand deal, the partnership marks a major first: IAM Worldwide is the group’s very first endorsement since debuting in 2025.
Short for “All-time Hall Of Famer,” AHOF is chasing legacy. And with a name that also translates to “nine” in Hangul, the group embraces its identity as a tightly knit, globally diverse unit. Composed of Steven, Jeongwoo, Woongki, Shuaibo, Han, Daisuke, Juwon, Chih En, and JL, AHOF brings together talent from South Korea, Japan, China, Taiwan, and the Philippines, making them one of the most internationally dynamic acts of K-pop’s 5th generation.
Since dropping their debut EP Who We Are on July 1, 2025, AHOF has been on a steady climb. The group quickly turned heads with strong first-week album sales, an impressive feat for a rookie act, and built a passionate global fanbase known as “FOHA.” Their music hits a sweet spot: emotional yet explosive, introspective yet performance-driven.
But what really sets AHOF apart is their mindset. They’re telling stories of ambition, pressure, and growth, themes that resonate with a generation figuring things out in real time. That same energy makes their partnership with IAM Worldwide feel like a natural fit. As the brand shared, “At IAM Worldwide, we believe that modern wellness is about consistency, discipline, and the courage to evolve,” adding that “AHOF embodies this mindset.
As Youth Ambassadors, AHOF will lead a fresh campaign centered on the IAM Amazing Organic Barley Gummies, a wellness product designed for busy, on-the-go lifestyles. It’s a move that expands their influence beyond music and into everyday habits, connecting with fans in a more personal way.
For Filipino fans, there’s an added layer of pride. Member JL Gaspar’s rise, from topping Universe League to debuting in a multinational group, cements his place as a standout figure representing Filipino talent on the global stage.
