Photo credit: HYBE x Geffen Records
HYBE x Geffen is gearing up for its next major global debut as it officially introduces SAINT SATINE, the newest four-member girl group formed through the conclusion of the audition series World Scout: The Final Piece, streamed via ABEMA.
The announcement confirms a lineup that blends already familiar global trainees with a newly discovered standout. The group consists of Emily (USA, 20), Lexie (Sweden, 21), and Samara (Brazil, 20)—all of whom previously gained international attention through the Netflix docuseries Pop Star Academy: KATSEYE. Their journey now continues under a new identity as SAINT SATINE.
Emily - Lexie - Samara



Completing the roster is Japan’s Sakura (16), who was officially chosen during the show’s finale. Out of more than 14,000 applicants, Sakura emerged as the final member after a highly competitive selection process that unfolded in Japan and was documented throughout the series.

To mark the culmination of the project, HYBE x Geffen released the digital single album World Scout: The Final Piece – Finale, featuring two tracks that highlight the intensity of the final selection round.
One of the standout records, “PARTY b4 the PARTY,” brings together Sakura, Emily, Lexie, and Samara in a high-energy performance built on punchy beats, heavy bass shifts, and playful vocal exchanges. The track leans into a bold, club-ready energy, capturing the excitement of pre-party anticipation and the chemistry between the members.
The second track, “WE RIDE,” features finalist Ayana alongside Emily, Lexie, and Samara. In contrast to the first song’s explosive vibe, it offers a smoother, nostalgic sound inspired by early 2000s R&B, layered with soft harmonies and a laid-back rhythm.
With the lineup now complete, SAINT SATINE is officially set for its global launch. HYBE x Geffen describes the group as existing in a space between contrast and control. The name reflects that duality, with “SAINT” representing strong artistry and presence, while “SATINE” evokes softness, refinement, and sophistication.
There’s something uniquely surreal about being an older Gen Z--growing up in the middle of multiple pop culture eras colliding at once. We witnessed the rise of 2000s pop-punk and emo bands that became the soundtrack of teenage angst, while also experiencing the dominance of global pop superstars and the explosive arrival of the Hallyu wave.
One moment, we were downloading band wallpapers and memorizing Dashboard Confessional lyrics; the next, we were learning K-pop fan chants and refreshing YouTube for new music video drops.
Now, as older Gen Zs and young millennials step into their late 20s and early 30s, nostalgia hits in a completely different way. We grew up copying lyrics into notebooks, waiting all day for our favorite music videos to air on television, and customizing our profiles with dramatic emo anthems playing in the background. And somehow, despite how fast everything changed, those songs still feel like yesterday.
And this May, the soundtrack of that era is suddenly alive again. From OPM legends to iconic voices we grew up hearing on the radio, here’s the ultimate concert and music guide for every “trentahin” who still says, “Grabe, parang kailan lang.”
The first thing on the map is the Playback Festival. Though the show has already wrapped up, Faber Drive, The Red Jumpsuit Apparatus, and Dashboard Confessional transformed the SM Mall of Asia Arena into a time capsule of nostalgic anthems that defined our elementary and high school years.
These were the songs that played during our first crushes, first loves, first heartbreaks, and every dramatic “main character moment” in between. The kind of tracks we blasted through earphones while staring out the window pretending we were in a music video.
It was a night of screaming “Tongue Tied” at the top of our lungs, reliving emo-phase memories through “Face Down,” and feeling every ounce of emotion that came with Dashboard Confessional’s heartbreaking lyrics. For one night, the “rawr XD” generation reunited: older, maybe more tired, but still knowing every single word by heart.
Back in 2012, older Gen Zs remember gathering around televisions, endlessly voting online, and proudly rooting for Jessica Sanchez during her unforgettable run on American Idol. For many Filipinos, she became a symbol of representation, talent, and pride on a global stage.
Now, years later, Sanchez returns to the Philippines in a completely new era of her life — not only as a globally recognized powerhouse vocalist and America’s Got Talent champion, but also as a new mom embracing a fresh chapter beyond the spotlight.
This May 16, she’s set to headline a major concert at the Smart Araneta Coliseum, joined by a star-studded lineup of guests including Vice Ganda, Morissette, James Reid, and more.
There was a time when nearly every café, acoustic night, and senti playlist in the Philippines carried the unmistakable sound of “Para Sa Akin.” Two decades later, the song remains one of the most recognizable OPM staples, covered by countless Filipino artists, performed in karaoke sessions, and still capable of triggering instant nostalgia with just a few opening notes.
Now, the Philippines’ “Bossa Nova Queen” is celebrating that legacy in a major way. This May 17, Sitti headlines “Sittiscape: The City of Bossa” at the Newport Performing Arts Theater. The concert marks 20 years of her iconic hit “Para Sa Akin” while also celebrating the anniversary of Café Bossa, the album that helped define an entire era of chill, acoustic-driven OPM.
If there’s one thing every trentahin can agree on, it’s that early 2000s OPM hit differently.
The emotional ballads of Freestyle, the smooth R&B grooves of South Border, and the unforgettable vocals of “Diamond Soul Siren” Nina became staples of radio stations, burned CDs, karaoke nights, and late-night senti sessions. These were the songs that played in the background of family road trips, school fairs, heartbreaks, and quiet moments alone with wired earphones plugged into an MP3 player.
On May 17 at 19 East, three OPM legends are coming together for one unforgettable night.
There are OPM songs that become hits, and then there are songs that become permanent chapters in people’s lives. “Pagdating ng Panahon” belongs to the latter.
Now celebrating 25 years since its release, the timeless ballad continues to resonate across generations. It carried feelings that were difficult to explain at the time and the kind of track that somehow grows with you, sounding completely different depending on what stage of life you’re in.
And even after two and a half decades, the opening lines of “Pagdating ng Panahon” still have the power to instantly soften a room. This May 23 at 8 PM, Ice Seguerra returns to the stage for Back “2” Back at the Winford Resort & Casino Manila. Adding even more emotion to the night are special guests Gerald Santos and ROUGE.
Another night of timeless hits and unforgettable performances awaits as MYMP and Side A take center stage for a feel-good OPM showcase, joined by Sessions with Brian Yamsuan. Happening on May 24 at 19 East, the evening promises a heartfelt throwback of acoustic classics and well-loved ballads that defined countless memories.
This is the generation that grew up in transition. We witnessed the rise of emo bands, acoustic café playlists, OPM ballads, pop superstars, and the Hallyu wave all at once, creating a soundtrack that felt uniquely ours.
And now, as adulthood moves faster and responsibilities grow heavier, hearing these songs live again feels almost comforting. Suddenly, we’re transported back to school corridors, family road trips, late-night radio sessions, Friendster profiles with autoplay music, and simpler versions of ourselves who thought those moments would last forever. Because no matter how much the world changes, some melodies will always sound like home.
R&B powerhouse Kehlani has officially unveiled her long-awaited self-titled album, Kehlani, marking a deeply personal milestone as it arrives on her birthday. The release, now available across major streaming platforms, signals a new era for the GRAMMY® Award-winning artist, defined by emotional clarity, creative freedom, and a bold expansion of her sonic identity.
The self-titled project brings together an all-star lineup of collaborators, including Big Sean, Brandy, Cardi B, Clipse, Leon Thomas, Lil Jon, Lil Wayne, Missy Elliott, T-Pain, and Usher. Together, the features help shape a genre-blurring body of work that leans into Kehlani’s signature mix of vulnerability and experimentation, while elevating her storytelling to new heights.
At its core, Kehlani captures the artist at her most honest, weaving soul-baring narratives with lush, dynamic production. The album builds on the momentum of its previously released singles, beginning with “Folded,” a breakout anthem that has become one of the defining R&B records of the decade. “Folded” delivered major award recognition, including 2x GRAMMY® wins for Best R&B Song and Best R&B Performance, an iHeartRadio Music Award for R&B Song of the Year—where Kehlani also made her debut award show performance—alongside NAACP Image Awards nominations and three American Music Award nods, including Song of the Year.
The rollout continued with “Out The Window,” further spotlighting her emotional transparency and evolving sound. Most recently, Kehlani released “Back and Forth” featuring Missy Elliott, a track that blends introspection with high-energy flair. The collaboration serves as the final preview of the album, pairing Kehlani’s signature vulnerability with Missy Elliott’s unmistakable innovation.
KEHLANI TRACKLIST
1. Intro
2. Anotha Luva (feat. Lil Wayne)
3. No Such Thing (feat. Clipse)
4. Folded
5. I Need You (feat. Brandy)
6. Oooh
7. Back and Forth (feat. Missy Elliott)
8. Shoulda Never (feat. Usher)
9. You Got It
10. Out The Window
11. Still
12. Call Me Back (feat. T-Pain & Lil Jon)
13. Pocket (feat. Cardi B)
14. Lights On (feat. Big Sean)
15. Sweet Nuthins (feat. Leon Thomas)
16. Cruise Control
17. Unlearn
For years, the idea of Wanna One reuniting lived mostly in nostalgia playlists, anniversary posts, and fan hopes quietly tucked between the lines of “Spring Breeze.”
It surfaced every debut anniversary, in late-night X threads revisiting old stages, and in comment sections filled with “what ifs.” Even as the members grew into new chapters of their careers, the possibility of an 11-member reunion remained a shared dream that lingered just out of reach.
Now, it’s no longer just wishful thinking. Members of the K-pop group from a survival show are expected to reunite for a new reality show, marking their first full-group project since disbanding.
Formed through Produce 101 Season 2, Wanna One debuted in 2017 and quickly became one of the most loved K-pop acts of its generation. According to multiple media reports, the reality program is slated to premiere in the first half of 2026. While details remain under wraps, Mnet has confirmed to MK Sports that the members have agreed to come together for the show.
The network also revealed that the teaser video includes the phrase “See You Again,” a lyric lifted directly from “Spring Breeze,” the group’s farewell track released ahead of their 2019 disbandment.
Speculation around the reunion quickly intensified after members Lee Daehwi, Bae Jinyoung, Yoon Jisung, Hwang Minhyun, Ha Sungwoon, and Park Woojin shared the teaser clip on their Instagram stories.
This moment hits differently because so much life has happened in between. Since their disbandment in 2019, the members have grown into artists on their own terms—some thriving as soloists, others finding their footing in acting or new groups like NU’EST and AB6IX. Fans grew alongside them, learning how to support 11 separate paths without letting go of the collective memory. That distance, that time, is what gives this reunion weight.
Even their last group appearance at the 2021 Mnet Asia Music Awards felt more like a fleeting reunion. For a group formed under intense competition and limited time, the chance to simply exist together again, without a countdown hanging over them, feels like a gift.
Is Wanna One really back? Maybe not in the traditional sense of a chart-driven comeback. But as a Wannable, this reunion feels different because it isn’t fueled by urgency or obligation. It's built on a promise kept.
Late Night Madness is the Filipino pop-up you didn’t know you needed — until it took over your feed.
Los Angeles, CA — December 15, 2025 — Imagine pulling up to Seafood City for groceries… and walking into a full-on Filipino block party. DJs in the aisles. Street food everywhere. OPM blasting. Everyone from titas to Gen Z dancing like it’s a fiesta.
That’s Late Night Madness — the after-hours pop-up series created by Seafood City’s Marketing team that’s turning Filipino supermarkets across North America into culture hubs.
What started as a low-key street food night in Daly City (shoutout to DJ JP Breganza for setting the original vibe) quickly grew into a movement — one that celebrates Filipino identity through food, music, and community, exactly how it’s meant to be.
Not a Party. Not a Concert. A Filipino Thing.
Late Night Madness hits different because it’s built around real culture, not hype. Every stop is powered by local creatives — from DJs and artists to Filipino-owned brands like Illa Manila, LA Popcxrn, Cukui, and Kalamansi Collective — plus community partners like Baryo Ent, Kultivation Festival, SF Kollective, Sosyal Stages, and +6THR3E.
No two nights are the same. But every night feels like home.
The Night It Went Viral
Things really popped off at Seafood City Eagle Rock Plaza in LA. A Baryo-curated Late Night Madness brought out DJ Noodles, P-Lo, and an energy that felt straight out of a Manila megamall on a weekend.
Packed aisles. Phones up. Dance circles by the produce section. The clips took over socials — and Late Night Madness officially entered the culture chat.
Food, Music, and the Sound of Home
At the center of it all? Food.
Think kwek-kwek, isaw, fishballs, chicken skin, lechon, pandesal sliders, Lumpia Overload, and tropical drinks — all served while OPM classics and dance-floor favorites keep the energy up.
This isn’t nightlife. This is community, Filipino-style.
“In the middle of the aisles, you really see it — music, food, and every generation together,” said Baryo Ent Co-Founder Jennifer Taylor.
Filipino DJs Running the Room
Late Night Madness also puts Filipino-American DJs front and center — the same DJs shaping today’s sound behind the scenes.
“Filipino DJs have always influenced music culture,” said Baryo Ent Co-Founder Stephanie Ramos.
“This gives them the space to lead, in a place that’s ours.”
The series has featured hometown talent and surprise guests like JayR, Roger Rigor of VST & Company, Kai, Carl Angelo, Russel!, Awday P, and Ruby Ibarra — turning grocery runs into moments fans won’t forget.
From One Store to Everywhere
What started in Daly City didn’t stay there. Late Night Madness rolled through California, Seattle, Las Vegas, and five cities across Canada — with the same result every time: packed crowds, viral moments, and real cultural connection.
Between September and December 2025 alone, Seafood City pulled off 76 Late Night Madness events across North America.
“This is about evolving with our community,” said Seafood City President Matthew Go.
“Late Night Madness is one way we create experiences that feel like home — while keeping people connected through platforms like the SFC+ App.”
Why It Hits Different
Late Night Madness works because it doesn’t try to reinvent Filipino culture — it just gives it space to exist.
Food, music, family, creativity, and togetherness. All in one place. Usually by the frozen goods section.
Seafood City wrapped up 2025 with Late Night Madness stops in Milpitas, North Hills, Chula Vista, Daly City, Winnipeg, Mississauga, Calgary, Edmonton, and Scarborough — and the movement shows no signs of slowing down.
To catch the next one, follow @SeafoodCity and download the SFC+ App for free tickets.
Because for Filipinos everywhere, home isn’t a place — it’s a vibe.
DALY CITY



EAGLE ROCK PHOTOS:



LATE NIGHT MADNESS SURPRISE GUESTS:






Manila’s nightlife once again proved its world-class potential as the &Friends Halloween Festival transformed Okada Manila’s The Cove into an electrifying playground of sound, culture, and spectacle.
What began as a Halloween celebration evolved into a full-scale showcase of Asian electronic music excellence, spotlighting nearly 60 top DJs from across the region and attracting thousands of revelers, including a significant wave of international visitors.
The event’s success highlighted a defining moment not just for &Friends but for the trajectory of EDM in Asia. Co-founder and CEO Justin Banusing of &Friends and Clout Kitchen expressed that the vision has always been rooted in community and cultural fusion.
“&Friends was created to break precedent and bring together people over a shared passion for music. Manila proved that Asia is ready to be the next frontier for world-class EDM. Our goal has always been to merge global energy with local culture, and seeing thousands come together showed that the movement’s only getting started,” he said.
This year’s Halloween edition also made history as &Friends’ second consecutive sold-out EDM event and its most ambitious yet. The festival served as the first-ever EDM destination wedding and festival hybrid, an unusual but intriguing combination that drew more than one-third of attendees from overseas. That turnout reaffirmed the Philippines’ steady rise as a magnet for music tourism, signaling that Manila is no longer just participating in the global nightlife circuit but actively shaping it.
Onstage, the lineup was a powerhouse reflection of Asia’s diverse electronic music landscape. Knock2, Dabin, Beauz, Sabai, Frosttop x RemK x No Signal, Y3llo, and dozens more commanded three distinct environments: the high-energy Spooky Summit mainstage, the gritty and experimental Haunted Hollows, and Spirits Garden, a vibrant open-air escape. Across these stages, attendees moved through a dynamic spectrum of modern EDM, from festival-scale drops to club-level chaos and atmospheric grooves.
“Music and self-care really go hand in hand,” shared Rico Blanco. “Ibang klaseng experience kapag kasama mong nanonood ng concert yung mga barkada, mga loved ones mo. It gives you a different level of warmth and love.”
And that same spirit of warmth and connection is exactly what fans can expect on Nov. 29 as “Watsons Playlist 2025: All of the Feels” turns the Smart Araneta Coliseum into a celebration of emotions, healing, and OPM brilliance.
The much-awaited event brings together some of today’s most loved Filipino artists, led by the powerhouse collaboration of Rico Blanco and Ben&Ben, along with performances from Zack Tabudlo, The Juans, Earl Agustin, and rising band Hey June!
A night designed to be your #NoSkip playlist in real life, Watsons Playlist 2025 goes beyond the usual concert experience. It’s about embracing emotions, finding comfort through melodies, and reminding everyone that music can be a form of self-care. For Blanco, moments like these are what make live performances truly healing, when music connects people through shared feelings and genuine energy.
Ben&Ben’s Miguel shared how meaningful the show will be, especially for their ever-supportive Liwanag community. “Sobrang excited namin sa show na ‘to! We have lots of surprises prepared for this show too na dapat talagang abangan and we can’t wait to share all the feels with our Liwanag family,” he said, hinting at something special in store for the fans.
For Zack Tabudlo, the concert’s concept resonates deeply with his artistry. “Ang ganda ng concept ng Watsons Playlist kasi it’s really about emotions—lahat tayo dumadaan sa iba’t ibang feels,” he shared. “I’m so excited to perform live and be part of something that connects music and self-care in such a real way.”
The Juans, known for tugging at heartstrings with their relatable lyrics, also look forward to the emotional connection the concert will bring. “Sa totoo lang, music talaga helps us process our emotions—whether masaya or may pinagdadaanan,” said Carl of the group. “We’re preparing something special for everyone, kaya huwag niyong palampasin.”
For Hey June!, sharing the stage with OPM icons feels surreal. “Nakaka-excite kasi the lineup’s amazing, and the theme ‘All the Feels’ really captures what we all need minsan—to just feel everything,” the band shared. “We can’t wait to jam with everyone and make new memories sa Araneta Coliseum.”
Exclusively open to Watsons Club members, Watsons Playlist 2025: All of the Feels is the brand’s way of giving back to its loyal community: celebrating not just personal care, but emotional care too. Members can score their free tickets by completing qualifying purchases through the Watsons app until November 16, or until tickets run out.
When the lights dimmed and the first few beats along with the fans’ screams reverberated through the air, a single word pulsed on the screens—KAION. To the uninitiated, it might look like a stylized play on Kai’s name. But for fans who’ve journeyed with him from EXO’s debut stage to his solo breakout, KAION holds weight. It's a fusion of Kai and the Greek word aion (αἰών), meaning “eternity.” A bold declaration, and an invitation: this is the start of forever.
From the very beginning of the show, there is an understanding that KAION, Kai's first solo concert tour, isn’t just another stop on his idol-to-soloist trajectory. It’s a theatrical, soul-baring, meticulously crafted experience that unfolds more like a memoir in motion than a setlist. It is a quiet unraveling of the self. Every moment of KAION is deliberate, from the haunting visuals to the transformative stage design, and together they spin a narrative of self-discovery, reflection, and rebirth.
The show opens with “A Man in the Mirror,” a literal and metaphorical gaze inward. Kai confronts versions of himself, some raw, some refined, some still searching. There’s no hiding behind personas here; it’s all Kai, dissected and displayed. The dance, as always and as is typical of Kai, is fluid yet sharp. Every movement feels like a dialogue with his past.
Then comes “Reflection of Myself,” a segment that plays with dualities: idol and artist, boy and man, past and present. It’s vulnerable and electric, a reminder that Kai is a brilliant storyteller who speaks through each and every move of his joints.
Just a few minutes left and KAI is ready to dominate the stage tonight! 🔥
— PULP Live World (@pulpliveworld) July 27, 2025
Turn on those light sticks and let’s create the best memories together, EXO-L! 🌟#KAIinMANILA2025 pic.twitter.com/cMrPDDqIyx
By the time we arrive at “When All Selves Become One,” the transformation is palpable. The fragmented versions we’ve seen begin to fuse. There's unity. Wholeness. A sense that this isn’t a culmination, but an alignment.
And then, with his unapologetic grin and stage presence, he declares: “Welcome to the New Me.” The “new Kai” isn’t a rejection of the past, but an embrace of it. It’s every version of himself stitched together into something bolder. KAION doesn’t close with finality, it ends on a promise. Of more music. Of more reinvention. Of eternity, whatever that means in the fast-spinning world of K-pop.
@exoxweareone Vitamin B ✨ #EXO #KAI #KAIONinMANILA #fyp ♬ Reason - KAI
One of the most moving parts was when he performed EXO songs like “My Lady,” “Baby Don’t Cry,” and “Angel.” You could feel the audience collectively remembering, years of shared memories come rushing back, stitched together by one voice. It reminded us: even as he grows solo, he never forgets where he came from.
More than a concert, it is through Kaion that Kai conveys to us who he is when the lights are on, and more importantly, when they’re not. It’s personal. Honest. Unfiltered. It was Kai becoming. And in that becoming, inviting us to witness not just a show, but the start of something eternal.
Don’t miss the chance to experience KAION live as the tour heads to Bangkok, Yokohama, and Hong Kong. Catch him on August 2 at Thunder Dome in Bangkok, August 6 at Pacifico Yokohama National Convention Hall, and August 16 at AsiaWorld-Expo, Hall 10 in Hong Kong.
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Written by Ricabelle Bayanin, a Communication and Media Studies student from the University of the Philippines Visayas
After years of thrilling audiences with his powerhouse vocals, Mark Michael Garcia, known to many as MMG, is stepping back into the spotlight in a concert that signals not just his return, but his reinvention.
Set for August 2 at Samsung Hall in SM Aura, MMG’s upcoming concert, titled “Code Name: MMG,” is dubbed as a mission statement. Directed by John Prats and produced by Heavenly Desserts by Chef Jeng, the show is co-presented by District One and Essentials, with Cornerstone Entertainment, Inc. overseeing line production. It marks MMG’s third major concert, but perhaps the most personal and defining yet. This time, he's reintroducing himself.

“Code Name: MMG” is MMG’s move to showcase his evolution as a concert artist. Known for his grand championship win in Tawag ng Tanghalan’s All-Star Grand Resbak back in 2019, MMG is now returning to the stage with renewed purpose and with a song that carries decades of history and emotional weight.
That song is “Run to You.” But not the one you know.
On April 26, MMG received an unexpected message from Allan Dennis Rich, the legendary Los Angeles-based composer behind hits for Whitney Houston, James Ingram, and N’ Sync, to name a few. Rich had discovered MMG’s performances through a Filipino therapist in Beverly Hills who shared his YouTube videos. Impressed, the songwriter extended an extraordinary invitation: access to his personal vault of “A-List Songs.”

Among those treasures was the original, never-before-released version of “Run to You.” Originally written as a heartbreak ballad, the lyrics were rewritten for The Bodyguard movie to suit its romantic narrative. Now, more than 30 years later, Rich, along with his songwriting partner Jud Friedman, has entrusted MMG to record and release the original vision of the song, now titled “Run to You (Alt. Lyric Version).”

This rare collaboration places MMG on a global pedestal, making him the first artist to bring these lyrics to life. His version offers a fresh emotional perspective, echoing the pain and vulnerability the song was initially meant to convey.

Hip-hop rhythms, Filipino pride, and Pacquiao power electrify the day at Las Vegas' ultimate poolside hotspot.
Las Vegas, NV – July 13, 2025 – Filipino-American hip-hop sensation EZ Mil is set to make his highly anticipated Las Vegas Strip debut with a daytime performance at Daylight Beach Club on Saturday, July 19, 2025. The event, part of the venue's Soaked Saturdays series, coincides with a monumental weekend for the Filipino community, as boxing legend Manny Pacquiao takes on Mario Barrios in a welterweight title fight at MGM Grand Garden Arena the same night. This convergence of Filipino talent on the global stage underscores a celebration of cultural pride and empowerment, drawing fans from across the U.S. and the Philippines.
Doors open at 11 a.m., with EZ Mil delivering his signature blend of multilingual rap and hard-hitting beats, including fan favorites like "Up Down" and "Panalo (Trap Carino)." Joining him is DJ E-Rock, spinning an open-format set to keep the energy high at this premier Las Vegas dayclub. Daylight Beach Club, known for its 50,000-square-foot poolside paradise with a 4,400-square-foot main pool, private VIP pools, and luxurious cabanas, offers the perfect backdrop for this daytime hip-hop extravaganza.
"EZ Mil's debut on the Las Vegas Strip is a milestone not just for him, but for Filipino artists breaking barriers worldwide," said Scott Diel, Marketing Director at Daylight Beach Club. "Paired with Manny Pacquiao's fight, this weekend is a powerful showcase of Filipino excellence. We're thrilled to host EZ and create an unforgettable experience for fans."
EZ Mil, the Eminem-signed rapper who has amassed millions of streams and a devoted following with his raw storytelling and cultural fusion, represents the new wave of Filipino empowerment in music. His performance at Daylight aligns with Pacquiao's return to the ring, creating a dual celebration of Filipino heritage and achievement that resonates deeply with both American-born Filipinos and those from the islands.
Tickets start at $30 for general admission, with VIP table reservations available for bottle service and premium seating. For ticket sales and more details, visit daylightvegas.com.
For more information about DAYLIGHT Beach Club, including reservations, visit daylightvegas.com or call (702) 632-4700 as well as follow on Instagram, Facebook and X at @DAYLIGHTVegas.
DAYLIGHT Beach Club, operated in partnership with industry leader Clique Hospitality, is located at Mandalay Bay Resort and Casino in Las Vegas. The 50,000-square-foot beach club offers a 4,400-square-foot main pool with two additional private pools for cabana guests. Guests can also reserve daybeds, banquettes and bungalows. DAYLIGHT will serve hand-crafted cocktails, pool-side bites and VIP bottle service for guests while they enjoy a stellar roster of international DJs and performing artists. DAYLIGHT will be open Thursdays, Fridays, and Sundays from noon - 6 p.m. and Saturdays from 11 a.m. - 6 p.m. More information is available on the website here, Instagram, Facebook and X at @DAYLIGHTVegas.
Clique Hospitality, founded by hospitality innovator Andy Masi in 2014, has conceptualized nearly two dozen nightlife and dining destinations in Las Vegas, San Diego, Newport Beach, Chicago and Delray Beach, Florida. The company’s Las Vegas day and nightlife portfolio includes The Barbershop Cuts & Cocktails and CliQue Bar & Lounge at The Cosmopolitan of Las Vegas; Easy’s Cocktail Lounge at ARIA Resort & Casino; Eight Lounge and Gatsby’s Cocktail Lounge at Resorts World Las Vegas; and DAYLIGHT Beach Club at Mandalay Bay Resort and Casino; Bel-Aire Lounge, Bel-Aire Backyard and Wax Rabbit at Durango Casino & Resort; Rouge Room at Red Rock Casino Resort and Spa; and Caspian’s at Caesars Palace. The company’s Las Vegas dining portfolio includes Mijo Modern Mexican at Durango Casino & Resort; Bottiglia Cucina & Enoteca and Borracha Mexican Cantina located at Green Valley Ranch Resort Spa and Casino in Henderson; Side Piece Pizza at Red Rock Casino Resort and Spa in Summerlin; Tailgate Social Sports Bar & Grill at Palace Station Hotel and Casino; and Proper Eats Food Hall at ARIA Resort & Casino. Clique Hospitality’s Southern California day and nightlife destinations include Oxford Social Club and The Pool House at Pendry San Diego. Clique’s San Diego restaurant portfolio includes Joya Kitchen in La Jolla; Lionfish Modern Coastal Cuisine at Pendry San Diego; Serẽa Coastal Cuisine at Hotel Del Coronado; Temaki Bar in Encinitas; SET Steak & Sushi at Pendry Newport Beach; Lilian’s and Bing’s Bar at The Inn at Rancho Santa Fe; The Kitchen and The Clubhouse at Torrey Heights by Breakthrough. Clique's Chicago restaurant, Venteux, is located at Pendry Chicago. More information about Clique Hospitality and the company’s full portfolio is available on the website at www.cliquehospitality.com.
Imagine this: You’re in the car on a road trip to somewhere you don’t even know. It starts raining heavily and the ride is still long, so you put your earphones on and stare into the window, relapsing about the what ifs and what could have beens.
As if on cue, these are the songs that start playing:
Since its release in 2023, Raining in Manila has been a staple for when the weather starts feeling cold and nostalgic.
This song will make you think about your friends who you’ve lost contact with—whatever the reason may be—and how they’re doing, much like Lola Amour’s Pio Dumayas did when he wrote the song as he thought of his friends who left the country to pursue better lives in other countries.
“heather is the kind of song that deserves “heather - conan gray (crying alone in the rain)” edits” — Conan Gray.
The relapse does not end with friends, because as Conan Gray said, we all have a Heather in our lives. Someone we despise, but do not really have a reason to. Heather is for the brokenhearted lads who wish “Heather” was them. If that hit a bit too close to home, we hope you have tissues with you to wipe those tears away.
Melancholy and nostalgia, all in one song.
V of BTS perfectly encapsulates the feeling of the rainy season with “Rainy Days,” as he sings of being unable to fall asleep, reminiscing about a relationship that has become a fragment of bittersweet memories. This song will make you vividly remember the happiest times in a relationship, but it will also remind you of a connection forever lost in time.
Of course, this playlist won’t be complete without the OG hit song for the rainy weather.
As the pitter pattering sound of the rain transforms into loud thrums over the roof, Basang-Basa Sa Ulan is the perfect song to belt your heart out—as if in a battle for dominance with the droplets of water. This song by Aegis mirrors the hopelessness we face in many setbacks, yet we choose to desperately fight on.
“I’m still with you, even if you’re no longer with me”
There’s a certain kind of longing, holding on, and letting go that continuously lingers and whispers in the hush of memories. “Still With You” by Jungkook is a song that encapsulates the emotional in-between—where love still lives vividly in our hearts even after they’re gone, while stillness replays the words left unsaid. The sound of the rainfall, combined with the jazzy R&B instrumental, creates a rhythm of yearning between what ifs and what could have been—still reminiscing, still feeling, and still hoping. For the kind of days when rain drips down the window, this track sounds like a memory you never really moved on from.
While it plays like a cozy rainy day tune, this track hits just right for nostalgia and emotional relapse. “I Think I Like When It Rains” by WILLIS is a soft indie track that is perfect for unraveling thoughts you are not ready to forget. Like the lyrics. “And all that I can do is stop and think about the day”, This track is indeed introspective and conversational–where rain is a metaphor for the feelings that don’t just fall, but remember. This song indeed feels like a smile through the rain because it perfectly hits and sits with you, while it cradles you in a strange kind of comfort.
POV: You said you’re over them, but somehow, their presence still lives rent-free in your mind.
You swore to yourself that you had moved on, deleted all the chat conversations and photos, and suddenly “Isip” by Healy After Dark starts playing, like a memory on shuffle. Like the title of the song, one thing is for sure—they are stuck in your mind as you’re back at square one, mentally reliving your love for them. This track lingers on the thought of why a heart can’t forget what the mind constantly refuses to stop reminiscing. And even though you know that the person you like will never feel the same way anymore, you still think about them like a dream you didn’t want to wake up from.
“Umaasa” by Calein is the ultimate anthem for every person who still clings to that hope of rekindling the love, even though it tells you to “let go.” Together with the guitar riffs, emotional, nostalgic, and melancholic lyrics and vocals, the song indeed feels like a confession wrapped in pain as you wait for someone who might never return and be with you. This song is the perfect soundtrack for holding on, while it quietly haunts you with all of the memories and heart-fluttering scenes of the past. Kahit alam mong wala na talaga—umaasa at umaasa ka pa rin.
As the last few notes of the last song fade, the sun may already be shining again above the sky. But when the weather turns gloomy once more, let this playlist be your companion, sitting with you through the storm.
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Written by Leana Infante, a Communication Arts major in Speech Communication at the University of the Philippines Los Baños and Ana Rufa Padua, a fourth-year Communication student from the Ateneo de Manila University.
Cover art by Leana Infante
This is for everyone who tries their best to be their truest selves.
Chloe SJ just launched her debut EP titled “Chloe Anjeleigh…For Real,” and we’re being for real when we say that she might just be the next rising OPM artist. Composed of seven tracks, the album touches on themes of authenticity and love.
In her grand EP launch last June 24, Chloe SJ mentioned that her debut EP is about being “for real,” as well as protecting your peace and yourself.
“I hope that [the listeners] are able to connect more with me, especially [since] it talks about being for real and authentic, and also [it talks a little bit about] mahal and I’s love story,”
During the launch, she embodied her album’s theme as she performed “FR FR.” She also played her rendition of Ed Sheeran’s “Shape of You”—an ode to where she started: doing cover songs.
Touching on the transition from doing covers to releasing her original music, Chloe SJ revealed that it took a while getting used to the feeling of recording songs she could call her own. “When I started performing it live, [that’s when] I started to feel that ‘this is is me’”
Touching a bit more on the production process, the singer also shared that she initially did not know what to title her EP. “I was [initially] thinking ‘yung usual na cheesy stuff, but when I listened back to all the tracks, I [thought of] ‘Chloe Anjeleigh…For Real.’ It explains itself. It’s so me,” she said.
Throughout the night, she showcased her stage presence as she performed “Nonchalant” with guest singer and composer Trisha Denise, “Something Right,” “Dulo ng Bahaghari,” and “Iyo” which she mentioned was dedicated to her boyfriend and Olympic gold medalist Carlos Yulo.
P-Pop group 1621 also took to the stage during the launch, with performances of “Ikaw at Ikaw” and “Stuck.” They also gave an exclusive live version of their Bababa challenge with Chloe SJ.
If you’re looking for songs to ignite your self-discovery journey, stream Chloe SJ’s “Chloe Anjeleigh…For Real.”
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Written by Ana Rufa Padua, a fourth-year Communication student from the Ateneo de Manila University. With a passion for storytelling, she hopes to shed light on the various realities, lives, and phenomena surrounding the communities she covers. In her free time, she indulges herself in watching movies and listening to K-Pop.
Videos by Leana Infante